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Clown World Chronicles: Who Is Waifu?

The suffering of Clown World brings with it great longing. Some people long for respite, others long for vengeance, others long simply for the warm embrace of a devoted wife. Those in the latter category might find themselves pining for the sweet touch of Waifu, one of the Elders of the Clown World pantheon.

As has been described earlier in this book, relations between men and women are at an all-time low. Not only is distrust and misunderstanding between them worse than ever, but young people are having less sex than ever.

This lack of positive relations with the opposite sex – one of the most fundamental pleasures in life – is one of the leading causes of the resentment that exists in Clown World. Worst of all, these poor relations aren’t primarily the result of autism or social fashion – they’re a function of will.

Many men feel that women are now hopelessly degenerate – that they’ve all turned into some kind of roastie. As such, they don’t want to be involved with the average woman. It doesn’t seem worthwhile to devote energy to a relationship with a woman who only wants to drink booze and who will leave you as soon as she gets bored. As such, many men have dropped out of the dating game – but their basic desire for female companionship has not abated.

This combination of feelings has led men to lust after their idea of a perfect woman, the opposite of the roastie. This is the Waifu.

Not being promiscuous, Waifu is deeply devoted to the one man. She is not at all interested in the “cock carousel”. Waifu doesn’t go out drinking with the girls. She’s more interested in social bonding for the sake of creating the perfect family. Her baking skills are more sophisticated than her cock sucking skills.

Waifu relates to Stacy as the Elder Goddess of the Positive Feminine Axis relates to the Younger One. Whereas Stacy is the unrealised positive feminine, Waifu is the realised form. Stacy has the potential to develop into a Waifu or to jump on the carousel and become a roastie. In Waifu, the waveform has collapsed into perfection.

Because so many men have withdrawn from the world to watch anime and to play video games, a large number of them have encountered idealised versions of female companions in those media. Naturally, many of those men come to fantasise about having some of these ideal women as real-life companions. Collectively, these ideal females form the spirit of Waifu.

‘Waifu’ is just a transliteration into Japanese of the English word ‘wife’. It comes from the idea that women in Far East Asia are more devoted, and far less degenerate, than their Western counterparts. Whether or not this is true, there are many Western men who have imagined themselves happy together with an ideal woman.

Waifu is the essence of all of these perfect fantasy wives, distilled into one divine form. She is the Elder Goddess of the Positive Feminine Axis because she represents the ideal feminine in its perfected form, i.e. as a self-actualised version of Stacy. Waifu is the natural companion of Boomer, who is able to sit back and chill thanks to Waifu’s devoted care.

In practice, there are two Waifus: a Western one and an Eastern one.

The Western one is known as the Tradwife. She is usually portrayed as a female Wojak variant, with lustrous blonde hair and wearing a blue dress with a daisy pattern. Sometimes the trad Waifu is depicted as Bavarian or Swiss, the idea being that these places have escaped the moral decay that has afflicted the Anglosphere.

The Eastern one is like the one shown on the waifu pillow in the image at the top of the page. This one is black-haired, usually Japanese, and inevitably depicted in anime form. She is usually blushing, being so wholesome that she considers it improper for another man to gaze upon her.

Many men feel that Clown World has cost them the opportunity to have a Waifu of their own. Much of the rage directed at society comes from this perceived loss. However, these men mostly don’t understand that relations between men and women have always been tough. Lysistrata proves that things were challenging even at the peak of Western civilisation.

This is why the common longing for a return to the 1950s is mistaken. For one thing, 1950s devotion was forced in many ways, which brought with it a great deal of resentment. This was often masked with drinking: 1950s relationships involved a great deal of alcohol and violence. A return to the 1950s would also require that males conform to 1950s workplace expectations, which no-one really wants.

For another thing, attracting a devoted wife is primarily a matter of demonstrating sufficient rectitude oneself. Regardless of how corrupt one’s environment is, there are always men and women who have enough spiritual fortitude to express themselves despite their surroundings. Those who are best able to do this are the gods of the Clown World pantheon.

The spirit of Waifu will always exist, and will always be worshipped, as long as there are men who are unable to find real-life women who can meet their emotional needs. And, even if they do she will still be worshipped, because those real-life women will appear to them as avatars of Waifu herself.

This article is an excerpt from Clown World Chronicles, a book about the insanity of life in the post-Industrial West. This is being compiled by Vince McLeod for an expected release in the middle of 2020.

If you enjoyed reading this essay, you can get a compilation of the Best VJMP Essays and Articles of 2019 from Amazon for Kindle or Amazon for CreateSpace (for international readers), or TradeMe (for Kiwis). A compilation of the Best VJMP Essays and Articles of 2018 and the Best VJMP Essays and Articles of 2017 are also available.

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How A Kanye West Run Could Win Trump Re-Election

The 2020 American Presidential Election just got even wackier with news that Kanye West has thrown his hat into the ring. West has no realistic chance of winning the American Presidency, but if he runs as an independent he could still impact the outcome. This article explains how.

In the 1992 American Presidential Election, third party candidate Ross Perot, running as an independent, won almost 19% of the popular vote. Although he didn’t win any Electoral College seats, he won over half as many votes as Republican candidate George W Bush, who lost to Democratic candidate Bill Clinton.

In retrospect, it seems that Clinton’s win was a total fluke, because the right-wing parties won about 59 million votes to his 45 million. Clinton only won thanks to Perot’s run, which split the right-wing vote, as many natural Bush supporters voted for Perot. Their mutually assured destruction saw Clinton coast home.

The same thing happened in the 2000 election, only for the other side. Al Gore won about half a million more popular votes than George W Bush, but Dubya won the election by five Electoral College votes. Gore probably would have won had it not been for Ralph Nader, who won almost three million votes for himself on a Green Party ticket. The vast majority of these votes would have gone to Gore had Nader not contested.

The Nader influence was felt most acutely in Florida. George W Bush won Florida, and its 25 Electoral College votes, after an infamous recount process that dragged on for weeks. In the final tally, Bush carried the state by 537 votes, but Nader won 97,488 votes there. Had Nader not stood in Florida, it’s all but certain that Gore would have carried the state – and with it America.

It can be seen from these examples that arguably the single most important factor for success in an American presidential election is not having a third party candidate running on the same half of the electoral spectrum to you. Because each state in the Electoral College is won on a winner-takes-all and first past the post basis, third party runs do little but split the vote.

So back to Kanye West.

One of the biggest obstacles to Trump’s re-election bid is his low support among blacks. Blacks have always been disinclined to vote Republican, on account of the Republican Party’s support for the War on Drugs and their opposition to welfare. 89% of them voted for Hillary Clinton against Trump, and an even higher percentage supported Barack Obama against his opponents.

Polls suggest that blacks intend to vote heavily for Joe Biden this year. This is for two reasons. The first is that Biden is a Democrat. The second is that blacks remember how Biden was a dutiful and competent Vice President to Obama for eight years. Biden never went against his man or undermined him, and this is remembered by those who were Obama’s strongest supporters.

Kanye West appears to intend to run as an independent. He is 43 years old, black, and works in a creative role. His biggest supporters are from similar demographics. Being one of the world’s most popular musicians, West’s name recognition among Millennial and Zoomer voters is immense. A great number of them will vote for him on this basis alone.

In appealing to these demographics, a West run will split the left-wing vote. The young, the black, the creative voters who will support West are all groups that would have otherwise supported Joe Biden. In other words, a West presidential bid would cost Biden a lot more potential votes than it would cost Donald Trump.

Biden is well ahead of Trump in the polls right now, but the reality is that an incumbent American president hasn’t lost a presidential election since Clinton beat Bush in 1992. Trump was rubbished by the mainstream media leading up to the 2016 election and still won. At worst for Trump, 2020 might be a close loss.

All this means that a Kanye West presidential bid has a very real chance of tipping the balance of this November’s election from a Joe Biden win to a Donald Trump win. West would only need a small percentage of blacks to support him for Biden to risk losing some states – and after Biden’s “if you don’t vote for me, you ain’t black” gaffe, such an outcome is fully plausible.

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Who Are The New Zealand Public Party?

The New Zealand counterculture has been surprised recently by the sudden rise of Billy Te Kahika and his New Zealand Public Party. His appearances on the Vinny Eastwood Show have brought his name to everyone’s awareness, but who is Billy TK and what is his party about? This article explains.

Most of the details about the party can be found at their website. This offers a fairly comprehensive overview of NZPP policy.

The NZPP is transparently a protest movement. The ‘About Us’ section of their website states “The New Zealand Public Party was formed by Billy Te Kahika in response to the blatant injustice and tyranny being hurled upon the New Zealand people by the Labour/NZ First/Green government.” Their main intention appears to be to change the system.

Billy TK himself is a mysterious man. Rumours swirl that he was an SAS soldier, a 33rd-degree Freemason, a former United Nations lackey and even an NZSIS operative who is acting to mislead anti-Establishment voters. His rise has been swift, and out of the blue – there is no indication that he has previously been a member of any other party.

Te Kahika has recognised the difficulty of surmounting the 5% threshold, and to that end has made an effort to unite the smaller parties. The NZPP has already absorbed the Reset New Zealand Party, who had many of the same aspirations regarding a national Bill of Rights. He has also approached the New Zealand Outdoors Party, the Aotearoa Legalise Cannabis Party and the Social Credit Party with offers to unite.

The bulk of NZPP philosophy can be found on the ‘What We Stand For‘ page of their website.

Their commitment to “Rebuild New Zealand Back Into A Democracy” promises to write a new New Zealand constitution, one for the people. This process will involve writing a “real Bill of Rights”. This Bill of Rights would underpin all other laws, so that other laws would have to accord with it. This would be very different to today’s system, where any supposedly guaranteed human rights can be abrogated whenever the government feels like it.

It seems from this, and from the disinclination to appear in the mainstream media, that the NZPP is a people’s movement and not another Establishment vehicle. Other minor parties have blatant agendas: the Maori Party wants to stir up racial tensions; the New Conservatives want a theocracy where everyone is forced to worship Jesus. The NZPP has no obvious agenda.

The NZPP would enshrine in law the superior importance of human rights over corporate profits. This would mark a radical departure from today’s model, where the people are effectively serfs who exist solely to meet the labour needs of the projects dreamed up by the ruling classes. No doubt such a proposal will be met with horror by New Zealand’s wealthy, for who human rights are impediments to profitability.

Housing is another major priority for the NZPP. They have identified the poor standard of New Zealand housing as one of the primary contributors to the suffering of the New Zealand people, stating that “healthcare begins at home”. This, when coupled with the human rights drive, would seem to pigeonhole the NZPP as an alt-left party.

This would be inaccurate, though, as they also have conservative policies, such as their stance on abortion. They think that the law recently passed by the Sixth Labour Government (which allows abortion up to birth) is extreme. Here they emphasise that people have the right to prevent unwanted conception, but also that they “cannot grant the killing of a person as a method of birth control”.

Christianity perhaps also influences Billy TK’s stance on legal cannabis, which he thinks New Zealand is “not quite ready for.” Despite this reluctance, he was more than happy to relate an anecdote to Vinny Eastwood about a family member benefitting from the use of it, and was more than happy to admit smoking it himself when younger. He may be lukewarm on legal cannabis, but is no Bible-thumping New Conservative.

It might also influence their most obviously alt-centrist policy, which is opposition to usury. Billy Te Kahika is strongly against usury, which means that he will be despised by the Establishment. However, in opposing usury he has the potential to win the support of large number of Kiwis, in particular the more conspiracy minded.

The NZPP approach seems like it is to cast a wide net, with the intention of bringing a large number of people together for the sake of forcing change on the Establishment.

What the NZPP offers is a centrist and anti-Establishment platform. This means that they avoid the major weaknesses of the previous anti-Establishment movements, who have shown themselves to be either too left-wing for the public (The Opportunities Party, the Aotearoa Legalise Cannabis Party, Social Credit) or too right-wing for the public (New Conservatives, ACT to a lesser extent).

Predictably perhaps, Billy TK has already generated a few enemies. These are mostly members or supporters of other parties who feel that the NZPP is acting to split the anti-Sixth Labour Government vote.

The NZPP’s most aggressive enemies are the New Conservatives, who, until now, had a lock on the anti-United Nations and anti-abortion voters. It’s likely that the NZPP steals many of these voters from the New Conservatives, on account of that Te Kahika is clearly more intelligent than either Leighton Baker or Elliot Ikilei. The NZPP also doesn’t have any awful policies, like New Conservatives’ proposal to increase penalties for cannabis use.

As of right now, it’s hard to say how well the NZPP would do in the election. They are striking all the right chords among New Zealand’s alternative thinkers, but it’s not certain that they will be able to register in time to contest the vote. Nominations for the election close on 21 August, about six weeks away. If Billy TK and the NZPP are to contest it, they will need to build momentum fast.

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Clown World Chronicles: Who Is The Great NPC?

His eyes are black dots peering lifelessly out from a pallid grey face. His nose is nothing more than a triangle; his mouth is nothing more than a straight line. Hairless on crown, hairless on face, he casts a ghoulish and nightmarish figure. He is the Great NPC, one of the Younger Gods of the Clown World pantheon.

NPC stands for Non-Player Character. It’s originally a Dungeons and Dragons term, and it refers to characters who are played by the Dungeon Master and not by one of of the other players (who play PCs, or Player Characters). With the rise of video gaming, NPC came to refer to a game character that was controlled by the computer.

In either case, NPC came to be understood as a metaphor for an apparently human being that had no mind of its own. The main characteristic of NPC behaviour is that it is extremely predictable. Having no mind of their own, NPCs don’t have motivations, intentions or aspirations above that which their controllers imbue them with. They are every bit the programmable machine.

An NPC has been so completely programmed – whether by the television, by their schooling, by their religious indoctrination or by peer pressure – that they have no original ideas of their own. Everything they say, and everything they think, is simply repetition of something they had been programmed to believe.

The NPC can never question the mainstream narrative. They are incapable of making their own truth judgments. Any time they are asked a question, they respond with what the herd thinks. If the herd wants to zig, then the NPC will say that it’s time to zig. If the herd wants to zag, then they will say that it’s time to zag.

Being so dumb, the NPC is prone to paralysing bouts of cognitive dissonance, something which is heavily mocked by Clown World denizens in meme form. At maximum intensity, this cognitive dissonance can cause the NPC to suffer an NPC Error, which is when the NPC’s central processing unit is overwhelmed by the demands placed on it and crashes.

Encountering an NPC can be a terrifying experience if one isn’t used to it, akin to encountering a zombie or something else that isn’t human. Like a Terminator, one can never be sure that they’re not about to turn on you, pitilessly tearing you apart for a reason only their controller understands. Not being in possession of a soul, the NPC cannot be in possession of empathy.

Fortunately, NPCs are harmless in most cases, at least when it comes to direct violence. The real danger is that their mindless repetition of programming can lead to the normalisation of inaccurate ideas, which can lead to harmful consequences. If the television can program enough NPCs to believe something, the dead mass of their bleating will penetrate into every corner of society, causing everyone else to believe that thing too. If that belief is wrong, people will suffer.

It isn’t easy to tell if any given person one encounters is an NPC (as has been discussed at length here, determining an NPC from a conscious person is far from straightforward). So it’s usually necessary to rely on one’s intuitive sense of whether there’s anyone home. An NPC can say any number of things that hint at deep thought and intelligence. But all of it is mere programming.

The number of NPCs in the world appears to be growing larger. One of the characteristic phenomena of Clown World is that the divine spark within us all has begun to weaken. If this spark weakens enough, a person no longer has the will to do good things in the world. At this point, they will simply drift through life on the waves of social fashions. If uninspired by the divine, Wojak falls down the Fundamental Axis, and declines into an NPC.

All NPCs are avatars of the Great NPC himself, the Younger God of the Negative Pole of the Fundamental Axis. He is a reminder of what can happen to Wojak if he falls under the influence of the Merchant. The Great NPC hates all freethinking and all questioning of dogma. If the Merchant is the owner of the Clown World plantation, the Great NPC is its overseer.

The Great NPC is the god that represents the power of the mindless masses. His ultimate goal is to turn the entire world into NPCs. The reason why NPCs get angry when conscious people disagree with them is because the NPCs are trying to intimidate those people into silence. The Great NPC wants the entire world marching to a single drummer, too afraid to break step.

In this sense, the Great NPC is fundamentally opposed to Pepe, the Younger God of the Positive Pole of the Fundamental Axis. Pepe’s role in Clown World is to break down the cancer with spontaneous humour and good cheer. His meme magic is the antidote to NPC thinking, because NPC’s can’t understand it. Much of the cultural warfare in Clown World boils down to shitposters loyal to Pepe taking on normieposters loyal to the Great NPC.

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