Category: psychology

The Best Argument For Taking Thousands Of “Refugees”

If we let in a hundred of these a year, we’d soon forget about our petty differences

Ronald Reagan gave a very strange speech at the United Nations once. He spoke about how the nations of the world would settle their differences and come together if faced with an extraterrestrial threat. This is actually a reference to a law of human psychology, and this same law provides the best argument for increasing our refugee quota.

There no denying that social solidarity has steeply declined in New Zealand over the past 25 years. Ever since the Mother of all Budgets, as a consequence of which the rich and the poor learned to truly hate each other, we have seen a Labour Government open the borders to Pacific Island immigration, and then a National Government open the borders to Asian immigration.

After all this, New Zealand citizenship has been devalued so much that hardly anyone really feels like a Kiwi anymore, apart from in the most superficial ways.

There’s no longer any cultural value that defines us as unique among the cultures of the world. Some say we are “multicultural” but that’s just another way of saying that we have nothing in common with each other. Some say we have the All Blacks but for the majority of immigrants, who could just as happily have ended up in Australia, this is little more than a flag of convenience.

Seeing what’s happened in Europe in recent decades, however, gives us a clue as to how we can strengthen our national bonds.

For the vast majority of its history, the kings and tyrants who wished to unite Europe faced a particular problem. Europe is an extremely culturally diverse continent, and the vast majority of Europeans hate basically everyone else. So they have never been inclined to unite under the banner of “European” because they identify with their village above all and then their shire and maybe at a stretch with the idea of a nation.

The idea of a “European race” is really a New World idea, applied retrospectively by American, South American and British Empire thinkers to the old continent, to describe how it appeared in contrast to their own racially heterogenous societies. Europeans aren’t fond of it.

However, the rulers of the European Union know one thing about the fundamental laws of human psychology: nothing brings a disparate group of people together faster than a common enemy. To that end, the last twenty years of mass Muslim immigration has been a godsend.

It’s inevitable, given the tenets of the faith that they follow, that if large numbers of Muslims immigrate to a particular locale, they will end up clashing with the incumbents. There’s simply no way that an ideology that commands its followers to seek out non-believers and kill them can co-exist with its neighbours, any more peacefully than Nazism could.

So now, a curious phenomenon has arisen in Europe. Any two Europeans (or Western Europeans at least) can meet and share a common story of how much they hate Muslims. Every European now has a story about being robbed or beaten, or their car set on fire, or their girlfriends sexually harassed, by a Muslim.

This has led to bonds of intra-European solidarity first starting to appear all across the continent, and now – as more stories are shared – starting to strengthen. An astute observer of history can see the battle-lines being drawn already.

If New Zealand lets in a large number of Muslim refugees, such as the 5,000 per year that the Greens and The Opportunities Party are proposing, then it’s only a matter of time until the first Truck of Peace attack kills a significant number of Kiwis. The terrorists, when they make their move, will not discriminate between types of Kiwi: we will all be infidel.

It is then that we all – Maori, Pakeha, Islander and Asian alike – will have, for the first time since World War Two, a mutual enemy. Therefore, it may be that the country needs mass Muslim immigration so that Kiwis – as the Europeans have been forced to do – can come together in mutual rejection of the hate ideology of Islam, as we once did against the hate ideology of Nazism.

However, this is also very close to the worst argument for taking in thousands of refugees.

Over a century ago, it was prophecised by high-ranking Freemason Albert Pike that World War Three would involve the mutual annihilation of Israel and the Muslim world, leaving the Christians in charge of the planet.

If one looks at the mass Muslim immigration that Western political leaders have pushed on us over the last twenty years, it’s possible that the West is being conditioned to hate Muslims with the intent of making Westerners psychologically ready to wipe them out if they should annihilate Israel. If this is the case, it might not matter what we do.

However, taking in a large number of Muslims may, in the short term, bring Kiwis of all races together in mutual rejection of infant genital mutilation, abuse of women, abuse of homosexuals, hatred of Jews and hatred of outsiders. We should keep in mind, however, that doing so is truly to play with fire.

If Speculative Fiction Genres Were Psychoactive Drugs

Every genre of speculative fiction has its own signature atmosphere: often a combination of fantastic, awesome, terrifying and bizarre. So do psychoactive drugs – and the two match up. This article looks at which drugs give a vibe that best matches the vibe from a genre of speculative fiction.

High fantasy fiction matches up to cannabis. Lord of the Rings contains a couple of sly allusions to cannabis use, most notably when Saruman admonishes Gandalf for his “love of the halfling’s weed” while explaining how Gandalf missed a clue that he should have noticed. The scene in the film Fellowship of the Ring where Gandalf and Frodo sit above the drunken revellers and smoke some magical substance from a pipe is one familiar to most stoners.

Some of the experiences that Elric has in the Stormbringer series of novels by Michael Moorcock were also very likely to have been cannabis-inspired. There’s something about Elric’s experience of having an extremely powerful ally that couldn’t really be trusted that speaks to the paranoia that sometimes comes with the cannabis experience.

The sword and sorcery style of low fantasy matches up with psilocybin mushrooms. It’s unlikely that Robert E Howard took any magic mushrooms before writing any of the Conan the Cimmerian stories, but the protagonist’s many adventures in dark, subterranean caves and inside fantastic towers and castles are reminiscent of the depth and range of sometimes terrifying personal insight that often comes with mushrooms.

The Forgotten Realms universe of Dungeons and Dragons adventures, with their massive, dark forests full of elves and goblins also relates closely to the vibe of the psilocybin mushrooms experience. The reason why magic mushrooms enthusiasts are encouraged to try taking five grams in silent darkness is because it leads to exploration of a fantastical inner world, and going down into the subterranean to arise wealthier at some later point is a regular theme.

Most of what sells as science fiction could have been inspired by LSD. Stories like The Demolished Man, with a very strong psychological content, harken to the disintegrative effect that psychedelics can have on the personality. The main character of The Demolished Man, somehow between protagonist and antagonist, ends up having his personality completely demolished (and then rebuilt) as punishment for his crimes, reminiscent of how the psychedelic experience can destroy a person and then build them back as something stronger than before.

This sense of twisted psychology comes through also in the writings of Philip K Dick, who had himself tried LSD. Psychedelics might have inspired the plot of Ubik, in which the character Glen Runciter experiences a believable but bizarre reality while his physical body is “on ice” in a cryogenic chamber. Wondering if you’re really dead or alive is the kind of thing that LSD can make happen to you.

The almost schizophrenic belief in a hidden real world outside of this merely simulated one is a mainstay of cyberpunk literature, and is similar to the impressions one gets on DMT or salvia divinorum. For thousands of years, human shamans have been having experiences of dying to the physical world and being reborn to the real one, like Neo did in The Matrix. In that regard, The Matrix is really a retelling of the ancient mystery school teaching of death and resurrection, reclothed in 21st-century technology.

A description of what might be the spirit of the DMT experience is given in the ANZAC cyberpunk novel The Verity Key. In the chapter Mindknife, the protagonist Jonty Gillespie has his perception altered by ingestion of a drug called Cinque Nuevo, which briefly blasts his consciousness out of his physical body and into an entirely external dimension that is occupied by beings that take the form of balls of light, while mechanical constructs that might be metaphors churn around him.

The datura experience is pretty similar to what befell many of the unfortunate researchers in the Cthulhu mythos of H. P. Lovecraft. A disquieting sense of things not being quite as they should be grows into an intense paranoia that leaps at every shadow and from there to total psychological collapse at the raw horror of reality itself. Alien beings that seem to have come to Earth just to torment you is the kind of thing you’re dealing with in either case.

Datura is also the kind of drug that fits the background of weird horror stories such as those in His Master’s Wretched Organ. Talking to grotesquely deformed entities like Mr. Creamfeather and eating tobacco cakes are the sort of horror that, once experienced, leaves a person never quite the same again. The concept of ordeal rituals that leave you wiser for having suffered come to mind here.

Others are arguable. The steampunk of The Rocketeer might suit opium, the boo-yah aggression of Starship Troopers might suit mescaline, and the gritty military noir of the Altered Carbon series might be the old classics of caffeine, nicotine and alcohol.

It might be hard to read any speculative fiction on most of these drugs, because a person on them is more likely to be occupied with the inner theatre of the thoughts in their head than a book in the external world. However, it might be possible to have a richer experience of reading speculative fiction after having tried some of them, because they could open your awareness to realms of thought previously unimagined.

Writing the Schizophrenic

The literary medium offers vast scope for portraying the perceptual and cognitive oddities characteristic of schizophrenia

There are a tremendous number of misconceptions about schizophrenia – a combination of a cultural reluctance to confront the reality of mental illness and prior inaccurate portrayals in popular media. Avoiding these misconceptions and cliches is crucial to creating a believable and engaging schizophrenic character.

Perhaps the most glaring misconception is the belief that having schizophrenia means having multiple personality disorder. Many people still seem to believe that having schizophrenia is like Strange Case of Dr. Jekyll and Mr. Hyde, in which a powerfully suppressed evil nature sometimes breaks through to the surface and takes over the mind of the patient.

It’s certainly possible that a schizophrenic might have powerful struggles with inner demons, but they are not werewolves. A psychopathic alter ego is more characteristic of the psychopath. Powerful mood swings might make the schizophrenic seem like different people, and might make them difficult to deal with, but the characteristic of multiple personality disorder is that the personalities are not aware of each other, and schizophrenics are not afflicted by this.

It’s also not true that a schizophrenic will just babble nonsense all the time. Although psychological disorganisation is characteristic of schizophrenia, and although this disorganisation makes it more difficult to speak and converse coherently, speaking in word salad is more characteristic of an acute state of psychosis. This is a common state for a schizophrenic to fall into, but is different to schizophrenia itself.

Schizophrenics usually spend much more time in non-psychotic states than psychotic ones because it’s extremely difficult to maintain the state of acute agitation necessary to become psychotic. This state requires so much emotion and energy that in practical cases the sufferer either wears themselves out or ends up becoming convinced (or forced) to take medication.

So it’s relatively rare for a schizophrenic to act truly crazy all of the time.

What is characteristic of schizophrenia are what is called positive and negative symptoms. These don’t mean ‘good’ and ‘bad’ symptoms but whether the loss of touch with reality is the result of something being added to the “normal” experience of reality or something being taken away from it.

Dramatic visions, delusions and hallucinations, such as those portrayed in the film A Beautiful Mind, fall under the rubric of positive symptoms. The most common form of positive symptom is that of hearing voices. This is very difficult to imagine for anyone who has not experienced it, but a character who suffers this symptom might think that someone is talking to them when no-one is really there.

Sometimes when a schizophrenic appears to be rambling, they are having a coherent conversation with someone who doesn’t appear to be there. This naturally sounds like rambling to an outside observer although the schizophrenic themselves might believe that they are having a perfectly reasonable conversation with someone right next to them.

Likewise, when a schizophrenic appears to be staring into space, it may be because they believe themselves to be in a part of the Great Fractal that is different to where the outside observer is. Much like in a dream, the material world might not be making much of an impact on the consciousness of the schizophrenic.

This means that writing a story from the perspective of the schizophrenic is likely to be a cross between surreal and terrifying. Because what other people take for granted as firm laws of reality do not seem to apply to the conscious experience of the schizophrenic, it’s very difficult for any other character to understand what the experience of a schizophrenic is like.

It’s also terrifying because having original ideas about the nature of reality brings out some powerful emotional responses in other people. It isn’t easy to have other people profoundly disagree with you about things that you take for granted. Experiences like this might go some way to explaining why a schizophrenic character would also suffer from negative symptoms.

Disengagement with society, flattened emotions and an inability to maintain routines are the characteristic negative symptoms of schizophrenia, and if you can present realistic positive symptoms to your reader then some of these negative symptoms should be easy to believe.

For example, the reader might understand why a schizophrenic character feels the need to disengage with society if they read about how frustrating and frightening is to constantly be told, by everyone that character meets, that reality is actually very different to how that character perceives it.

Likewise, they might understand why schizophrenics have flattened emotions when they read about how a schizophrenic character has to compensate for the apparent fact that many of the things they perceive to exist aren’t really there. There are good reasons to not react strongly to things, even when those things are extremely bizarre or unusual, if one ordinarily sees a series of bizarre things that aren’t really happening.

The experience of being unable to maintain routines is a natural consequence of having an unusual amount of chaos in the mind, and it could be the routines in a character’s life falling to pieces that gives the first sign to those around them that a mental illness is developing.

Generally speaking, schizophrenia is an extremely difficult condition to portray accurately because of its complexity and because the experience of a schizophrenic is often fundamentally different to the experience of other people. Often the schizophrenic character will react reasonably and logically to the impressions that come into their mind and it is how those impressions get there which is the truly strange thing.

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This article is an excerpt from Writing With The DSM (Writing With Psychology Book 5), edited by Vince McLeod and due for release by VJM Publishing in the summer of 2017/18.

VJMP Reads: Anders Breivik’s Manifesto XII

This reading carries on from here.

In this section (pages 949-1067), Breivik continues to evaluate strategies and tactics for terrorist acts. Chillingly, here he writes specifically about the benefits of targeting a party conference of social democrats, for the reason that security will probably be poor, as well as expounding on why this would be so excellent a propaganda move for the cultural conservatives.

This section continues the high detail discussion about how to best carry about a terror attack. Given the comprehensive nature of the rest of the document when it comes to listing Islamic crimes, one is left with the impression that an extreme amount of thought went into the planning for the massacre that Breivik did carry out.

The idea that the ends justify the means comes through very clearly in this section. On the subject of attacking a left-wing party gathering with a flamethrower, he writes that “A severely burned category A or B traitor will in reality become a living symbol of what awaits individuals guilty of trying to sell their own people into Islamic slavery.”

There is something grimly medieval about mutilating living people to let them serve as a reminder of what befalls traitors, and this section is much darker and more demented than the sections about history. One is reminded of the admonition not to lose one’s own humanity in the course of warfare.

Again the paranoid nature of the rest of the document shines through when Breivik writes, of the largest annual conference of Norwegian investigative journalists, “98% of them are considered quality category B traitor targets”. With a worldview like this, Breivik could justify killing almost anyone.

Unsettlingly for us at VJM Publishing, this explicitly includes us – “90%+ of [writers] support multiculturalism and usually portray their world view through their works.” So we would also be marked for death if Breivik had his way, as those who work in the arts and recreational services tend to have broadly leftist sympathies.

The descriptions of how to break out from being pinned down by Police forces during an operation read like Breivik is writing about a video game. One passage describes how a car can be stolen and driven through any cordon that the first wave of Police officers might set up. This gives the impression that Breivik must have spent countless hours in dark plotting and fantasising.

Reassuringly, Breivik is able to demonstrate a sense of moderation. On the subject of using nuclear weapons in terrorism he writes that this “would normally inflict too many civilian casualties and it is therefore hard to imagine how nuclear weapons could benefit our cause.”

Breivik emphasises in this section the need to keep “civilian” casualties at a minimum. By this, of course, he means people who are not leftists. One is further reminded of the paranoid and oppositional nature of the document. It is also grandiose, which comes through in passages such as the description of how to blow up a nuclear reactor for the sake of financial damage to the “mutilculturalist regime”.

An unappreciated irony, at least on Breivik’s part, is that the document repeatedly emphasises how important it is that any prospective “operative” avoid getting flagged by the domestic security and intelligence services, yet it is possession of this document itself, with its voluminous advice for how to carry out terror attacks, which is most likely to get a person flagged by said spooks.

In fact, given that Breivik actually did go on to carry out a mass shooting, possession of this document is possibly the biggest red flag one could raise to the security services. Instead of being titled “A European Declaration of Independence” it could just as well be titled “A European Declaration of War.”