VJMP Reads: David Seymour’s Own Your Future V

A Liberal Vision for New Zealand in 2017

This reading carries on from here.

The fourth chapter in Own Your Future is ‘Education’. Seymour opens this essay with a mention of Vanguard Military School, the establishment of which he credits to ACT. This is an “exceptional” story because New Zealand’s education system is “a mess”. Although he writes that no-one begrudges the $12,000,000,000 yearly cost of educating New Zealand’s 800,000 students, many people have problems with the outcome.

New Zealand has a lot of problems because people aren’t literate enough, Seymour says. This is why employers “prefer a stream of immigrants”. There is a long, rambling passage here where Seymour touches on a variety of themes, including having a go at Hekia Parata. Apparently New Zealand is going backwards in PISA rankings. It’s hard to tell who Seymour is blaming for the mess in question.

Without a hint of irony, Seymour writes that “the outcomes have got worse for kids from poorer backgrounds”. Most Kiwis could tell him that the reason for these worsening outcomes were the policies of the Fifth National Government, which raised GST on those kids from poorer backgrounds while cutting other people’s taxes, and cutting services to those same poor.

What Seymour pushes here is the idea of a variety of schools with different cultures, which he believes will better suit the individual needs of the various students than the current “one size fits all” model. It follows from this that the Government is not the best provider of education services, because they don’t tend to tailor things to the individual needs of the citizens.

Much of this section reveals the specifically Auckland-centric focus that ACT has always had, and which leads it to get very, very few votes outside of that city. The logic behind the school zoning system is dissected at length, but this only really applies to Auckland and, to a small extent, Christchurch and Wellington. Perhaps Seymour is writing more as Epsom representative here.

True to form as a politician, Seymour demands that teachers be better trained and better resourced, but doesn’t explain where this money will come from. Despite this budget hole, it’s hard to deny that Seymour has several good points here. The cultures of individual schools are usually too sclerotic to adjust to the changing needs of pupils, so they could be supplemented by Partnership Schools that more specifically meet the needs of their students.

These Partnership Schools would be run more like private schools and could be easily closed down at any time if they were underperforming. Seymour touts this as a major feature, on account of the difficulty with doing so in the public sector. Students would be best served by flexibility in the educator sector, which is an intelligent way of increasing value without spending more money.

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If you enjoyed reading this essay, you can get a compilation of the Best VJMP Essays and Articles of 2017 from Amazon for Kindle or Amazon for CreateSpace (for international readers), or TradeMe (for Kiwis).

Why Neoliberals Love Mass Immigration

Mass immigration is often supported by the left, but it happens to also achieve a number of major right-wing goals

Neoliberalism is a right-wing movement in the sense that the ultimate aim of it is to take power away from the poor and give it to the rich. However, it is not a conservative movement, because neoliberals don’t care at all about the disruption that their policies have on people’s lives. So some of their positions are hard to understand at first. This essay seeks to explain why neoliberals love mass immigration so much.

Classical conservatism recognises that the wealthy already have the power, and so the wealthy try to keep things the same to preserve their good position. Change is therefore considered bad. Where this differs from neoliberalism is that the neoliberal tries to entrench the already strong position of the wealthy by further weakening the position of the poor. Accordingly, changes to the social structure are permissible if they make the rich richer and the poor poorer.

The basics of labour solidarity work like this. The rate of pay is a function of the supply and demand of labour. As long as labour is not available below a certain level of pay, then the rate of pay must rise above this to meet a higher equilibrium. So if all the workers in a certain area or industry get together and agree to not work for less than, say, $15/hour, this constricts the supply of cheap labour, which presses the price of labour upward.

To counter this, employers like to import cheap labour from outside of the area. The most infamous example of this is the trans-Atlantic slave trade, but the importation of labour doesn’t have to be involuntary. To the contrary – there is a virtually infinite supply of cheap labour in the world that can willingly be brought in to work for less, because there are always impoverished shitholes with high birth rates that people want to escape from in exchange for the McDonalds lifestyle.

Seen in union-busting terms, immigrants who are brought into the country by capitalist interests to work for less money than the locals are effectively scab labour. After all, there’s no real difference between scab labour that breaks a picket line and someone willing to immigrate to another country to do work at a wage lower than the locals would accept: both push wages down.

Not only does this outside labour have the effect of lowering wages through the scab effect, but it also makes future labour organisation more difficult. It’s much harder to conduct the conversations necessary to start a union when the workplace has no common language, and no-one is going to start a union anyway if their work visa is dependent on pleasing their employer.

It can be seen, then, that liberalising immigration through globalising the workforce has the immediate effect of not only driving wages down by increasing the supply of labour, but it also makes it harder to agitate for a higher wage, a double effect.

In other words, mass immigration is simply another example of the same union-busting behaviour that the ruling class has always used. The only difference is that it destroys the bonds of solidarity on the national level, instead of only destroying them in a certain area or industry. With a menagerie of different languages and cultures in the same area, the solidarity necessary to resist the divide and conquer attempts of the ruling class cannot be achieved. If that area is the whole nation so much the better.

Regular conservatives are a bit leery about destroying the working class in quite so brazen and irreparable a manner. The fear seems to be that they might rise up in anger and riot. Neoliberals have to be understood as significantly different to regular conservatives in this manner. They’re not at all shy about rubbing the faces of the Western working class in dogshit, knowing that their complete media domination makes the threat of retaliation essentially nil.

The real beauty of the mass immigration issue, from the neoliberal perspective, is that they can destroy the Western working class in this manner with the kindest of rhetoric. Mass immigration is presented by the mainstream media – almost completely owned by banks – as a compassionate solution to foreign poverty, only opposed by racists, bigots and rednecks.

This means that the already disadvantaged classes tear themselves in half as the globalists feel solidarity with the immigrants and refugees and the nationalists with the indigenous people. The neoliberals laugh all the way to the bank.

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If you enjoyed reading this essay, you can get a compilation of the Best VJMP Essays and Articles of 2017 from Amazon for Kindle or Amazon for CreateSpace (for international readers), or TradeMe (for Kiwis).

VJMP Reads: David Seymour’s Own Your Future IV

A Liberal Vision for New Zealand in 2017

This reading carries on from here.

The third chapter in Own Your Future is ‘Superannuation and the Gold Card’. This essay starts with a dig at Winston Peters, who was once investigated by the Serious Fraud Office. Seymour doesn’t like the wasteful spending he sees in the Gold Card, especially as many of the recipients of the largesse of it are already millionaires.

Universal super is set to cost us around $20,000,000,000 per year by 2031, Seymour informs us. Here he makes a play for younger voters by having a go at the Baby Boomers. He references the suspicion of the younger generations that they aren’t going to get the same sweet pension deal that their parents got – after all, we didn’t get the same free tertiary education that they got.

He raises the spectre of a Greece-style economic apocalypse happening as a result of a debt spiral triggered by having to pay these lavish pension funds up to and past 2060. It’s hard to deny Seymour’s maths, as it appears to be true that we will soon reach a point where there are only two workers for every pensioner (as opposed to today’s four).

The options, as he sees it, are: raising taxes by about a quarter or raising the retirement age, neither likely to happen because young people don’t vote. Seymour here criticises both John Key and Bill English for lacking the courage to deal with the issue, and makes an entreaty to the young to not become disengaged from politics.

This seems baldly hypocritical, considering that ACT spent all of the last nine years voting alongside the National Party, who are the party that represents all the Baby Boomers. As Dan McGlashan showed in Understanding New Zealand, the vast majority of Baby Boomers vote for National, whose efforts to fuck over the young were eagerly supported, for nine years straight, by all ACT MPs including David Seymour.

National closed down rape crisis centres and gutted mental health funding, leading to New Zealand having the developed world’s highest youth suicide rate, and Seymour supported them all the way, despite that many young people voted ACT in 2014. He does not acknowledge that this may have contributed to the low turnout rate among the young.

True to neoliberal form, Seymour’s solution to this looming pension crisis is to squeeze some extra labour out of the working class, by raising the age of retirement to 67, and soon. No means testing, despite that 25% of people claiming the pension are also either claiming a salary or run their own business (as admitted by Seymour himself) and at that point the chapter abruptly ends.

One realises here that Seymour is primarily trying to win votes from people too young to know anything other than neoliberalism. Old people are too conservative to vote anything other than National or sometimes New Zealand first, and it’s the young and well-heeled (who don’t expect to be reliant on a public pension in old age) who are the most amenable to Seymour’s suggestions here.

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If you enjoyed reading this essay, you can get a compilation of the Best VJMP Essays and Articles of 2017 from Amazon for Kindle or Amazon for CreateSpace (for international readers), or TradeMe (for Kiwis).

Writing Histrionic Personality Disorder

People with Histrionic Personality Disorder (HPD) are colloquially known as “drama queens” or “shit-stirrers”. Fundamental to the disorder is a desire for attention that borders on the narcissistic, as well as strong, shallow, rapidly-changing emotions. This article looks at how to write realistic and believable characters with HPD.

As is the case with many of the conditions in this book (and especially the personality disorders), people with HPD are often high-functioning in several ways. As with most of the conditions in this book, people with HPD can often be entirely competent and effective in their niche. For instance, they excel at screen and theatre acting.

A simple (if crude) way of conceptualising HPD is that, for people with it, drama is like a drug. They get hooked on it, they seek it out compulsively, they try to get bigger and bigger doses of it. The more attention they can draw to themselves the better. A cynic might call them a “psychic vampire” because dealing with them frequently leaves a person tired.

For these reasons, HPD is a fitting and excellent choice for some of the characters in your fiction. A character with HPD will naturally liven things up – even if they end up causing chaos. Because they seek drama out, it is never far from them. Not only do they like drama, but they tend to have just enough narcissism to bring some truly dark emotions out of others.

From the perspective of other characters who might encounter a character with HPD, one of the most difficult things about them is their apparent need to be overly emotional and dramatic all the time. Because emotional reactions are contagious to some extent, a person with HPD will tend to trigger those around them – a great quality in a bartender perhaps, but if there is a need for calmness and order this is usually unhelpful.

Other characters might also find the constant self-aggrandisement extremely tiresome. People with HPD like to use elaborate and flowery speech when unnecessary or even unhelpful, and love to tell stories that feature themselves looking good or being heroic. Such typically unsubtle attempts to draw praise are sometimes described as “needy”. Indeed, it is common for people with HPD to display symptoms typical of Dependent Personality Disorder.

Several common characteristics of HPD overlap with common characteristics of Narcissistic Personality Disorder. One of these in particular is the usual reaction to criticism. For the histrionic, any and all criticism is a brutal personal attack, an act of the utmost cruelty. It is so bad that any retaliatory measures are justified (although a character with HPD will tend toward passive-aggressive revenge tactics).

Related to this is the constant seeking of reassurance or approval. A protagonist with HPD might have compulsive thoughts about not being a good enough person and so seeks out ways of being told that they’re worthwhile. If a character has HPD, there might also be very clear ways that this can be shown through their clothing choice: “Loud and proud” would sum up their dress style.

Other characters might find it very stressful to be around a character with HPD, partially because of the narcissism but mostly because they don’t leave other people in peace. Because of their need to be the centre of attention, a character with HPD might continually butt into other people’s conversations, or make it all about them. They’re also generally happy to spread rumours around, especially if they think that doing so will make someone angry.

A character with HPD might strike other characters as superficial or false. After all, their emotions might strongly rise, but they also strongly fall and quickly transform into other ones. A second character might come to feel that they can’t really trust the histrionic one. It’s hard to know whether they’re acting or genuine.

One area in which the lives of people with HPD tend to be in particular disarray is romantically. They commonly perceive sexual interest where none exists. This makes their own lives difficult, as they often end up misreading the signals and making a move on someone who then rejects them. It can also make other people’s lives difficult, as people with HPD tend to perceive sexual infidelity where it doesn’t exist. This jealousy can fuel untold dramas.

On a darker note, people with HPD are well-known for hitting on people who are already in established relationships. This is partly because of the aforementioned tendency to perceive sexual interest where none exists, but this can also be influenced by a narcissistic refusal to respect other people’s boundaries and an inability to delay gratification.

Having said that, people with HPD are often very engaging to make love to. Excessive sensitivity and dependence on other people’s approval can make for a powerful contribution to the bedroom magic.

Adding a character with HPD to your story, or adding aspects of it to a character in your story, has the potential to liven things up but there is a risk that it can also make things more trivial. Because histrionic characters can get upset over small things, they can be hard for the reader to relate to, and therefore are often better as a foil to another character or as comic relief.

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This article is an excerpt from Writing With The DSM (Writing With Psychology Book 5), edited by Vince McLeod and due for release by VJM Publishing in the summer of 2018/19.