The Transmutation Of Silver Into Copper

The third stage in the katabasis is the dullening, which occurs when silver dullens into copper. Having already deteriorated below the level of spirituality in the previous stage, here a character loses some (but not all) of that pro-sociality which demarcates humans from beasts. Herein the vision narrows further, to the level of simpler pleasures.

This descent occurs within the intellectual or mental realm. If silver is high intellectualism, copper is a lower form. As with the other steps of the katabasis, this transmutation implies a narrowing of focus, in this case from social to sexual. This narrowing of focus comes with an increase in animalistic impulses and sentiments.

For the most part, the descent from silver to copper leads to an obsession with sex. Copper is still a fairly high level of the Mithraic Ladder, so the sexual degeneracy here does not imply crimes. A character descending to copper does not become a rapist or child molester. But it does imply the capacity to be brought low by sexual desire.

One of the most common ways for this to happen is for an intelligent person to develop an obsession with their own sexual value. If they start thinking too much about whether they can attract sexual partners, and too little about their social obligations, they can decline from silver to copper.

Developing habits of constant preening and strutting are typical behaviours for a character undergoing this transmutation. Vanity is therefore a common emotion for characters at this stage. The pro-social engagement of the stage of silver becomes slightly more selfish as it becomes copper. As such, a character transmuting to copper can come to neglect social obligations in favour of opportunities to impress the opposite sex.

As alluded to above, a character who degrades from silver to copper won’t undertake antisocial actions for sex – but they will take plenty of asocial ones. The kind of person who goes to university, and then gives up on taking their study seriously to get laid and to watch pornography, is archetypal of this transmutation.

A pornography obsession is emblematic of this descent, which is why a character making it may come to resemble Coomer from Clown World Chronicles. A strained, dope addict-like stupor, constant enervation and sensory dullness, coupled with an inability to appreciate actual women, are the signs of a porn addict.

Sex obsessions in general are emblematic of this level. A relatively high-frequency character who finds themselves engaging in pestering their wife or husband for sex could be making the descent to copper. This can happen to a character at just about any age. As such, it’s not necessary for a character to be old before it becomes possible for them to make the transmutation from silver to copper.

Characters at this level don’t just become dull spiritually, they become dull to talk to. The obsession with sex leads to the stereotypical “One-track mind”. This is especially true if it takes the place of what would otherwise have been meaningful cultural or scientific considerations. So the socialite of the level of silver, in degrading to copper, becomes boring when they used to be charming.

A character making this descent can reveal their degeneracy through an obsession with sexual innuendo and gossip. Where they once focused their minds on intellectual concerns, this discipline appears to falter leading into this stage. In faltering, it becomes degenerate and bestial, but only to a minor extent.

This transmutation can be motivated by a loss of faith in the intellectual world. A character who learns how corrupt academia is might lose their ambitions for intellectual achievement, and might sink that energy into getting laid instead. Another motivation can be a character’s realisation that they will never attain the heights of mercury. A character who understands that they will peak at silver might become resentful, and, in their resentment, allow themselves to slide down the Mithraic Ladder (at least as far as the level of copper).

Insecurity is a feature of all of the levels lower than mercury, and at the level of copper this insecurity typically expresses itself as jealousy. At this level, insecurity is managable but still reasonably powerful. A character of silver who begins to suffer insecurities related to their sexual market value can degrade into copper.

Although silver is generally associated with middle-aged people, this transmutation can easily occur in younger characters. It’s said of many young people that their lives were looking promising until they discovered girls/boys, at which point their academic aspirations were left to decay. This is a typical form of this transmutation.

For middle-aged characters, this transmutation can occur as part of a mid-life crisis. Male menopause can make a character insecure, and that insecurity can find expression in a desire to date younger women. The stereotypical middle-aged man buying a sportscar and trying to attract women in their 20s is probably undergoing this transmutation.

Taking a mistress is a typical example of behaviour at this stage, as is a woman who becomes a cougar and takes on a toyboy. This is doubly true if the relationship with the younger person leads to a loss of social status for the older one.

Another example of behaviour typical for characters making the descent from silver to copper is infidelity. Giving in to one’s lower urges to reproduce, at the expense of one’s marriage and social standing, pulls a character out of the realms of the precious metals and back into the prosaic. In degrading to copper, a character proves that there’s little truly special about them.

Fighting over women is also a feature of this stage, although the fighting tends to be social and not physical. Where the character of iron throws fists, the character of copper tends to throw words. If the transmutations to tin and lead involve major sexual degeneracies, the transmutation from silver to copper is about a large number of more moderate errors.

Herein it must be emphasised that the descent to copper does not imply that a character become a rapist or any kind of sexual abuser. That kind of behaviour is the speciality of the character of lead.

Neither is it even necessary for this stage to involve sexual relations or romance. The transmutation from silver to copper could be made by a character becoming cheap, stingy or miserly for some reason. Alchemical copper generally refers to the affairs of Aphrodite, but the term also covers the crude merchantry of trade.

A character who failed as a scholar and was forced to become a relatively lowly sales clerk could be a story of this level. So could an inventor who sells a fraudulent product, knowing that it isn’t as good as claimed. A lot of story arcs that involve a decent person selling low-quality products, because they need the money desperately, could fit under this transmutation.

One well-known depiction of this descent in popular culture is the character of Glenn Quagmire in The Family Guy. Quagmire is charming, intelligent and usually pro-social, but also perverted. This perversion prevents him from achieving the social status that his intellect might have suggested he reach.

This is an excerpt from Vince McLeod’s The Alchemy of Character Development, the sixth book in VJM Publishing’s Writing With Psychology series. This book will show you how to use alchemy to create deep, realistic and engaging characters for your creative fiction.

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The Transmutation Of Mercury Into Silver

The second step of the descent down the Mithraic Ladder is the transmutation from mercury into silver. This is the opposite of the quickening process: retarding. At this step the high-frequency nature of mercury slows down to the point that it falls into the realm of silver.

If the descent from gold to mercury is the descent from perfection into the world of quantity, the descent from mercury to silver is the descent from the spiritual to the mundane. Silver is still a relatively high level of the Mithraic Ladder, and a character at that level will still be impressive to many others. As such, the nature of this transmutation is a subtle one. The drama of it could mostly take place in the character’s head alone.

The major impact of this transmutation is spiritual.

The transmutation from mercury to silver is chiefly marked by a loss of spiritual belief or faith. In descending to silver, the character of mercury falls out of the spiritual realm, and becomes a materialist again. Thus they lose any divine inspiration or spark they may have once had, and effectively become a high-ranking Normie.

This can come about through an excessive focus on materialist science. Although silver is excellent, and strengthening one’s energy in the realm of silver a worthy endeavour, an excess of it can be possible. This is particularly the case when it distracts a character from spiritual truths. An over-commitment to materialist science could lead to a character losing their faith.

It can also come about by social pressure. If a character of mercury engages socially with a large number of characters of silver, they might find that this social environment starts to affect their own frequency. An office of bureaucrats might strongly discourage any mercurial attitudes, so that any character of mercury becomes forced down to the level of silver to keep the peace.

Much of the drama of this stage is therefore social. In a way, it’s a tragedy – that of the masses pulling a great person down to their common level. Mercury can, in this way, degrade into silver both from internal and external causes. Internally, a character can lose their will; externally, a character can have their will sapped from them by a depressing environment.

Perhaps the most dramatic way for this to come about is through a great tragedy. A character of mercury who loses a child might stop believing in God. Another character of mercury might face a great betrayal from one or more close friends, leading to a humbling. A third might fail to make the intellectual grade at university, getting forced to accept an unremarkable life in an office somewhere.

An act of great intelligence but total absence of spirituality, such as arranging a murder and getting away with it, could reduce frequency in one hit. A great heist or embezzlement that yielded immense material rewards would be the typical example. The more harm this heist caused, the more totally it would cause a descent into the realm of silver.

So in much the same way that ascent to the mercury and gold require great feats of high-frequency action, descent from the mercury and gold require great feats of low-frequency action. This need not involve something as prosaic as a murder but could rather involve the higher machinations of a state. Giving an order to kill can cause such a descent, especially if it turns out to be an immoral one.

Although the nature of this transmutation is primarily spiritual, the Law of Correspondence still applies. As such, the descent to the level of silver is reflected in the grosser realms: it’s psychological, social, emotional and physical.

The nature of the psychological change is to lose ambition and will. A character of mercury wishes to conquer the world. A character of silver might be happy with their simple office as a bureaucrat in the imperial capital. The grandiosity and belief in destiny that characterises the mercury are lost. This loss might go unnoticed among those who observe that the character of silver is still very intelligent. But those aware of the subtler energies of the psyche might observe the difference.

Emotionally, a character descending from mercury to silver not only becomes more anxious but also more rigid. This is emblematic of the fact that silver is a solid at room temperature whereas mercury is liquid. The character descending to silver loses some degree of self-control and ability to author their own future. They they become more predictable.

A narrowing of vision can be found in characters who have completed the descent to silver. They no longer look at the whole of reality as one system, but only at a sub-system. Thus, they give up philosophy for prosaic concerns. Abandoning philosophy and esotericism for a physical science is emblematic of the transmutation under discussion here.

Artistically, a character can lose inspiration to create at this stage. Writer’s block is a typical experience for someone falling out of the realm of mercury and into the realm of silver. The inability to come up with new ideas is a consequence of no longer being able to see the World of Forms, a privilege reserved for the characters of mercury.

Physically, the change is noticed primarily in the gaze. It’s no longer the long-sighted gaze of the conqueror, but the near-sighted one of the scholar. The character of mercury looks for allies to conquer the world with – or foes to destroy. The character of silver looks to avoid the gaze of the character of mercury.

It can also be noticed in the bearing. The character of mercury carries themselves as a challenge to those around them; the character of silver carries themselves as if they have work to do. Anxiety is therefore the typical body language expressed by those descending from mercury to silver, and neurosis the typical attribute. The self-assurance of mercury is one of the first things to go as a character descends into the mundane.

In the sense that mercury contains all of the positive qualities of the lower metals, descending the Mithraic Ladder is a matter of losing those qualities, one by one.

Just because the character of silver is a step down from mercury and two steps down from gold, doesn’t mean that a character of silver is bad or low in any sense. Silver is still a precious metal, and the characters of silver still play important roles in society. Thus, this transmutation is far from a matter of falling out of society. It’s more of a personal transmutation that’s hard for outsiders to notice.

Perhaps the archetypal depiction of this transmutation in fiction is that of Raskolnikov in Crime and Punishment. Raskolnikov begins the novel a rampant egoist, believing that he has the moral right to assert his will on the world no matter who suffers, and he ends it an utterly broken man. The character of silver need not be broken in comparison to the character of mercury, but they are definitely more humble.

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The Transmutation Of Gold Into Mercury

The first step of the Katabasis is the transmutation of gold into mercury. This involves imperfection, as the substance of the highest stage of the Mithraic Ladder must descend into the material world, and the world of petty human concerns. Thus it becomes human. This transmutation is therefore that of divinity into corporeal form.

Understanding the nature of this transformation is very difficult. As with the reverse transmutation, from mercury into gold, extremely subtle energies are involved. These energies are so subtle that the vast majority of people, in their ordinary lives, will never experience them. Thus, the nature of this process is difficult to write about.

The primary motive for becoming imperfect is boredom. This boredom is chiefly driven by the loneliness of divinity.

Most people don’t understand that living for eternity in perfect bliss eventually becomes agonisingly boring. Infinitely boring. So much so that consciousness is literally willing to dream up every conceivable type of suffering in order to avoid that boredom. No suffering is so great that it weighs heavier than boredom for eternity. Thus, the entire Great Fractal is created.

What an eternal, infinite, all-powerful and all-knowing consciousness would dream up for the sake of entertainment would be limitation – or at least the illusion of it (infinite consciousness could never really be limited). An example of that limitation would be incarnating as a human being on this planet.

Thus, consciousness would split itself up into an infinitude of fragments, each of which lived a different life (i.e. set of limitations) at any one time. Taken individually, each one of these lives represents an extreme limitation: from the all-knowingness of divine consciousness to being restricted to the sensations and perceptions of one body only.

One way to conceptualise this would be to imagine a white light and perfect bliss. After enough time, when such perfect bliss became boring enough, one might imagine that consciousness chose to temporarily forget its ultimately blissful nature about half of the time, such that the white light seemed to blink in and out of existence. Now there was an oscilliation between white and black – much more interesting than just white.

Imagine then that half of the white light darkened, but only slightly, and that half of the black light lightened, but only slightly, such that there were now four different shades, each blinking in and then out of existence in turn.

Then imagine that each of these four shades were split into a good half and an evil half, which wasn’t immediately obvious from just looking at them but which was felt after experiencing each of them for long enough. Thus these three divisions created both a good and an evil version of each of white, light grey, dark grey and black light.

These eight different energies could be themselves tell an interesting story, if they were rotated through in the right order. Imagine that when the stories of those eight energies get boring, they’re split up again into sixteen, and then again, and again and again, until consciousness has dreamed up everything that it’s possible to perceive, conceive, imagine or sense. All possible lives that can be lived, in all possible worlds, in all possible historical eras.

All of these lives are imperfections in the sense that their boundaries are defined by the limitation of divine perfection. Thus, in willing to incarnate in a physical form in the Great Fractal, consciousness experiences an impulse towards imperfection. This impulse is the basis of the Katabasis, and is similar to the Undergoing Will in Elementalism.

The transmutation from gold to mercury will be complete when the character develops an ego. This spiritual imperfection makes them a mere human again. The development of the ego is essentially the story of the Katabasis, as the most egotistical and narcissistic characters will usually find themselves among the lower rungs of the Mithraic Ladder.

The development of the ego will bring with it ambition, which is characteristic of the level of mercury. To fall to this level, divinity must decide that there is something it wishes to experience while incarnated in human form. In all cases, this experience is a subdivine one – and often immoral. Only a consciousness that had become bored of perfect bliss could wish for such.

The first actions towards the end of imperfection come when a character is tempted to behave without rectitude. This can involve almost anything immoral. A typical example is a desire that cannot be fulfilled without causing suffering.

Stylistically, the transmutation from gold into mercury corresponds to the dimming of the Sun. Any time when light falls into shadow reflects the nature of the Katabasis. This transmutation can also be represented by any sudden downgoing, such as a fall down some stairs, or a journey over the edge of a waterfall.

Physically, this stage is marked by the profoundest possible change: that of incarnation. A character will transmute from a potentiality within consciousness to a physical form. It is the overall nature of this incarnation that characterises this transmutation, not the specific form of the incarnation itself. So the specific details are not important here.

Mentally, this transmutation is marked by the shift from desirelessness to desire. In nirvana, the total absence of desire correlates with bliss. But when the desire for something else than eternal bliss arises – i.e., when boredom arises – the transmutation from spiritual gold to spiritual mercury begins (of course, mercury need not be the final stage of the descent).

Mathematically, the transmutation from gold to mercury is equivalent from unity to division. Singularity to multiplicity.

It has also been observed that a vial of mercury will divide into a multitude of smaller blobs if poured out onto a surface. This is analogous to how the gold of Brahman divides into the mercury of every individual Atman. The transmutation from gold to mercury can therefore be understood as a matter of manifesting ego.

This first stage of the Katabasis is probably the least interesting out of all twelve of the transformations in the Heroic Journey. Characters of both gold and mercury can be hard to identify with, given that both levels are far above the frequencies of ordinary people.

However, the nature of the transmutation of gold into mercury is emblematic of all of the stages of the Katabasis. As above, so below: the decay of gold into mercury is, in microcosm, what all of the other decays are in macrocosm. The boredom-induced temptation to place some sensation or perception above the demands of rectitude is behind every step in the descent from spiritual gold to spiritual lead.

Therefore, the transmutation of gold into mercury can serve a powerful metaphorical role.

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The Transmutation Of Silver Into Mercury

The fifth transmutation of the Anabasis is from silver to mercury. This involves the mysterious process of quickening. Silver is quickened to become mercury and, in doing so, develops a divine spark. Thus, the transmutation of silver to mercury involves beginning (but not completing) the process of apotheosis.

In quickening, silver becomes liquid. This liquidity is the essence of the realm of mercury. The character of mercury displays the opposite of the rigid thinking found in the realm of iron. They are the quickest of thinkers, always a step ahead of everyone else. For this reason they evoke a wide range of reactions from other characters. Mercury is therefore unpredictable to the lower elements, hence the term mercurial.

The rigidity of silver means that it cannot flow into certain spaces. Mercury can. Hence characters of mercury can be explorers of the mind and soul as well as of physical or cultural space. A transmutation from silver to mercury might be motivated by a character who has achieved everything possible in their career or business, and started to wonder what else there is to life. For such people, the occult often beckons.

Psychologically, the character of mercury is beyond any character of the previous levels. They are intellectually superior to an extent that is awesome. But they don’t merely intellectualise. The character of mercury is capable of intuiting knowledge in a way that seems psychic to others. They seem to know things that could not possibly be known, as if they had access to another world.

It is said of the brilliant that they can hit targets no-one else can hit, but of the genius it is said that they can hit targets no-one else can see. The transition from silver to mercury is like this transition from brilliance to genius. A character who achieves it will not merely impress others – they will instill awe. Other characters will generally not understand how the transition has been made.

Aldous Huxley once said (maybe) that “an intellectual is someone who has discovered something more interesting than sex.” The character of mercury is entirely capable of having sex and enjoying it – but they are also capable of sublimating their sexual energy into incredible cultural, artistic, scientific or spiritual achievements. If they choose to attempt such a thing, and if they come to value this higher than sex, they will be seen as very strange by most others. Thus, the transition to mercury can only be attempted by those with superior will.

Socially, the transmutation from silver to mercury could see a character go from leading their clan to leading an empire. In some ancient cultures, the king was also the chief judge. If the judges of a nation are those who the villages nominate to resolve conflicts, the king would be the one who resolves conflicts among the judges themselves. A transition to mercury could be made by becoming a king of kings, or an emperor.

The character of mercury, then, is of the highest terrestrial rank. This might not necessarily be evident, especially at the beginning of the story. A transmutation from silver to mercury might occur very early in the life of a character, such that those around them don’t readily recognise the change. They might simply be too young for higher honours yet, despite being spiritually worthy.

Physically, a character of mercury could look like anything. If characters of lead are scrawny, those of tin fat, those of iron muscular, those of copper muscular and fat and those of silver slender, characters of mercury could look like any such phenotype plus others. For a character of mercury, who is beginning to apotheosise, the physical form is almost irrelevant. They may even start to move beyond physical form as they move away from silver.

The transmutation of silver to mercury is a challenge unlike any of the previous four stages, because it’s primarily a spiritual process, whereas the previous four stages deal with physical and mental processes. For the fifth transmutation of the Anabasis to begin, the spiritual realm has to be accessed. This makes the nature of the transmutation much more subtle than any of the previous four.

This can make a character of mercury a highly complex one. They are capable of anything that the lower levels are capable of. The difference is that the lower five elements are somewhat bound to their realm of frequency, whereas mercury can flow readily to any frequency. Thus the character of mercury can party as if tin, fight as if lead, make love as if copper and socialise as if silver. They are not specialised in any one aspect of life but are rather masters of life in a general sense. As such, the transition to mercury requires a certain depth of life experience.

Glory can transmute mere silver to mercury. A character who rises to become a general or warlord might discover, in the throes of victory, a glory that raises them to a place not previously possible. In the wake of a military triumph, a commander might attain realms of consciousness that had otherwise been inaccessible.

A near death experience can also do it. As mentioned above, the process of transmutation to mercury is, at one level, divine. In almost dying, a person sometimes realises that they are more than just their body and mind. When the physical senses are shut off, the soul can make itself present. Many a person has passed over to the other side only to then return and, imbued with occult knowledge from those shadow realms, risen to a position of social prominence.

A psychedelic experience might be another, similar way to achieve this. A character who undergoes a sufficiently powerful spiritual experience though use of a psychedelic might seem, to other characters, to have acquired superpowers. They may also seem to have gone insane: the transmutation to mercury implies that a character no longer cares as much about material concerns such as wealth or social status. This might not be understood or appreciated by characters of the lower levels.

Yet another way might be getting chosen by a secret society for a special role, such as the harbinger of a new age of humanity. A character of silver who is chosen as a special representative by a secret society could begin the transmutation to mercury by way of ritual. Ancient rites intended to drive out weaknesses from lower frequencies could effect the transmutation to mercury.

The ultimate action that transmutes silver to mercury is application of will. It’s ultimately will that overcomes the rigidness of silver and transmutes into something quasi-divine. The rigidity of silver is testament to the extent to which it is programmed by circumstance. The application of will causes a character to rise above circumstance and to define themselves according to their own values. Even the stronghest, the smartest, the richest and the most handsome of men are subordinate to the most willing.

An example of the transmutation of silver to mercury in popular fiction is the film Braveheart. William Wallace starts as a well-respected villager, the son of a well-respected villager, and seemed destined for the realm of silver. But on account of being taught to use his brain properly, he was able to reshape the course of history.

This is an excerpt from Viktor Hellman’s The Alchemy of Character Development, the sixth book in VJM Publishing’s Writing With Psychology series. This book will show you how to use alchemy to create deep, realistic and engaging characters for your creative fiction.

If you enjoyed reading this piece, buy a compilation of our best pieces from previous years!

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