Te Reo With Mnemonics: Government Words

Government – kāwanatanga

A Government official, in charge of the Government car fleet, instructs a subordinate in a fancy uniform to “Give Car One a tonguing”.

Ministry – manatū

A Government official comes out of a tall building and says “We’re the Ministry of Taxes… and money, too!”

Minister – minita

A man in a suit buys an icecream from a stand. The girl holds up two cones and says “Maxi or mini, Minister?” The man says “Mini, ta.”

Office, Department – tari

Inside a WINZ office, there is tar everywhere: all over the floors and computers. The office is very tarry.

Responsibility, responsible – haepapa

A boy looks at a field strewn with hay and asks his father “Hey, Papa, who’s responsible for this?”

General Election – pōtitanga whānui

A child sits on a potty with its tounge sticking out. It is the potty tonguer. A man says “This General Election I think the best choice is the potty tonguer, far and away.”

The Māori word for ‘to corrupt’ – pōriro – shares a ‘pō’ and ‘ri’ sound with the English word ‘porridge’

Election, vote – pōti

A sign outside a porta-potty says “Election Today! Vote Here!”

Rebellion, Revolt, Revolution – whananga

Hone Heke is giving a speech, he promises to rebel “far and near”.

to corrupt – pōriro

A waitress pours some water into a man’s porridge. He gets up and complains “Now it’s corrupted!”

Officer, Official – āpiha

A man in uniform salutes a man behind a desk and says “Officer Pea Heart, reporting for duty.” The man behind the desk rises and says “Ah, Pea Heart…”

to agree, to assent, Permission – whakaae

Both seated at a desk, a woman shows a man a contract and asks “Do you agree?” He replies: “Fucken A!”

Chieftainship, Sovereignty, Authority – rangatiratanga

A chief is giving a speech to a war party. He holds up a gold ring and says “By the authority vested in me through my possession of this ring, tear a tongue!”

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The above is an excerpt from the upcoming Learn Maori Vocabulary With Mnemonics, by Jeff Ngatai, due to be published by VJM Publishing in the summer of 2018/19.

Writing Avoidant Personality Disorder

Avoidant Personality Disorder (AVPD) is characterised by extreme action taken to avoid certain feared stimuli, usually social. Social anxiety, feelings of unworthiness, timidity and sensitivity lead to a pattern of avoiding situations that involve interacting or socialising with others. This article looks at how to write engaging and realistic characters with the condition.

AVPD is a Cluster C personality disorder, which means that it’s primarily an anxious condition. The essential characteristic of it is an inability to form social bonds brought about by an extreme desire to avoid particular feared stimuli. For example, people with AVPD tend to be very sensitive to social rejection or humiliation.

It is believed to be caused by abusive or neglectful parenting patterns. In particular, rejection by one or both parents is thought to correlate highly with the condition. It can be observed in other mammals that rejection by one or both parents sharply reduces the ensuing life expectancy for that creature. No doubt the trauma from such treatment makes an impact on the behaviour of human survivors.

If your protagonist has AVDP, it might be that they experience loss and social rejection so strongly that they are simply devastated by it. They might have an internal monologue that heavily plays on fears of social encounters going wrong. A story featuring them might read very strangely as it involved a number of events that ended up not happening or not being attended by the protagonist, who felt too anxious to participate.

This can easily lead to a darker, resentful pattern of behaviour, especially if a protagonist with AVDP comes to feel a malicious desire for revenge as a consequence of their rejection. Social rejection need not lead to learned helplessness and submission in every case – it can lead to violent reprisals, especially if the rejected person feels that they have been treated unjustly.

Someone with AVDP might make a convincing villain if the author can convincingly portray a character who has become nasty as a result of their pride. It might be that the villain received some mild slight or insult and their massive ego was punctured, leading to narcissistic rage. They could be the sort of person who never forgives an insult, leading to complicated revenge schemes.

To many outside observers, AVPD looks very similar to just having low self-esteem. People with the condition tend to believe that their social presence is unwanted, and that they are unworthy of the time and attention that they are given in their social relationships. In cases of parental rejection it’s obvious how such thinking might come about, but it can be caused by other things, such as a generalised perception of social rejection.

In the mind of a character with AVPD, the everyday experience might be one plagued by self-doubt and feelings of unworthiness, in much the same way that it can be for a depressed person. Indeed, one particular strain of AVPD has a number of depressive features, in particular the casting away of, and refusing to deal with, certain traumatic memories.

A protagonist with the condition is likely to consider themselves socially inept. There might be a lot of blame directed at the self in their internal monologue. It’s possible that there is a personal quality of their own that they fixate on as an explanation for their lack of social success. As mentioned above, this can easily become projected outwards onto society.

People with AVPD can be difficult socially because they can be very needy and very resentful. There is a particular strain of the condition that is hypersensitive in a way that is not dissimilar to those with Narcissistic Personality Disorder. This type can become easily wounded by jokes or banter, to the extent that others might call them “precious”.

Feedback loops are an unfortunate common effect of this condition. Anxiety about being socially rejected often leads to a range of behaviours that themselves increase the likelihood of social rejection. Anxious eye contact often appears shifty to other people, who then come to distrust the person with AVPD. Because these people trust the person with AVPD less, they speak to them in a less friendly manner, which validates the initial feelings of anxiety and strengthens the avoidant behaviours.

A protagonist with AVPD might find their everyday experience tormenting, because people with the condition have a normal need for social interaction and intimacy – they just fear it. Because of this fear, and sometimes because of resentments, a protagonist with the condition might find their everyday experience tormenting. It might be a relentless march of anxiety, blame, missed opportunities, guilt and rejection.

AVPD sounds, and is, similar to Schizoid Personality Disorder, but there are crucial differences. For one, a character with AVPD will like be more anxious than a schizoid. For another thing, schizoids don’t generally care about other people, whereas people with AVPD will still desire positive social contact.

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This article is an excerpt from Writing With The DSM (Writing With Psychology Book 5), edited by Vince McLeod and due for release by VJM Publishing in the summer of 2018/19.

Writing Histrionic Personality Disorder

People with Histrionic Personality Disorder (HPD) are colloquially known as “drama queens” or “shit-stirrers”. Fundamental to the disorder is a desire for attention that borders on the narcissistic, as well as strong, shallow, rapidly-changing emotions. This article looks at how to write realistic and believable characters with HPD.

As is the case with many of the conditions in this book (and especially the personality disorders), people with HPD are often high-functioning in several ways. As with most of the conditions in this book, people with HPD can often be entirely competent and effective in their niche. For instance, they excel at screen and theatre acting.

A simple (if crude) way of conceptualising HPD is that, for people with it, drama is like a drug. They get hooked on it, they seek it out compulsively, they try to get bigger and bigger doses of it. The more attention they can draw to themselves the better. A cynic might call them a “psychic vampire” because dealing with them frequently leaves a person tired.

For these reasons, HPD is a fitting and excellent choice for some of the characters in your fiction. A character with HPD will naturally liven things up – even if they end up causing chaos. Because they seek drama out, it is never far from them. Not only do they like drama, but they tend to have just enough narcissism to bring some truly dark emotions out of others.

From the perspective of other characters who might encounter a character with HPD, one of the most difficult things about them is their apparent need to be overly emotional and dramatic all the time. Because emotional reactions are contagious to some extent, a person with HPD will tend to trigger those around them – a great quality in a bartender perhaps, but if there is a need for calmness and order this is usually unhelpful.

Other characters might also find the constant self-aggrandisement extremely tiresome. People with HPD like to use elaborate and flowery speech when unnecessary or even unhelpful, and love to tell stories that feature themselves looking good or being heroic. Such typically unsubtle attempts to draw praise are sometimes described as “needy”. Indeed, it is common for people with HPD to display symptoms typical of Dependent Personality Disorder.

Several common characteristics of HPD overlap with common characteristics of Narcissistic Personality Disorder. One of these in particular is the usual reaction to criticism. For the histrionic, any and all criticism is a brutal personal attack, an act of the utmost cruelty. It is so bad that any retaliatory measures are justified (although a character with HPD will tend toward passive-aggressive revenge tactics).

Related to this is the constant seeking of reassurance or approval. A protagonist with HPD might have compulsive thoughts about not being a good enough person and so seeks out ways of being told that they’re worthwhile. If a character has HPD, there might also be very clear ways that this can be shown through their clothing choice: “Loud and proud” would sum up their dress style.

Other characters might find it very stressful to be around a character with HPD, partially because of the narcissism but mostly because they don’t leave other people in peace. Because of their need to be the centre of attention, a character with HPD might continually butt into other people’s conversations, or make it all about them. They’re also generally happy to spread rumours around, especially if they think that doing so will make someone angry.

A character with HPD might strike other characters as superficial or false. After all, their emotions might strongly rise, but they also strongly fall and quickly transform into other ones. A second character might come to feel that they can’t really trust the histrionic one. It’s hard to know whether they’re acting or genuine.

One area in which the lives of people with HPD tend to be in particular disarray is romantically. They commonly perceive sexual interest where none exists. This makes their own lives difficult, as they often end up misreading the signals and making a move on someone who then rejects them. It can also make other people’s lives difficult, as people with HPD tend to perceive sexual infidelity where it doesn’t exist. This jealousy can fuel untold dramas.

On a darker note, people with HPD are well-known for hitting on people who are already in established relationships. This is partly because of the aforementioned tendency to perceive sexual interest where none exists, but this can also be influenced by a narcissistic refusal to respect other people’s boundaries and an inability to delay gratification.

Having said that, people with HPD are often very engaging to make love to. Excessive sensitivity and dependence on other people’s approval can make for a powerful contribution to the bedroom magic.

Adding a character with HPD to your story, or adding aspects of it to a character in your story, has the potential to liven things up but there is a risk that it can also make things more trivial. Because histrionic characters can get upset over small things, they can be hard for the reader to relate to, and therefore are often better as a foil to another character or as comic relief.

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This article is an excerpt from Writing With The DSM (Writing With Psychology Book 5), edited by Vince McLeod and due for release by VJM Publishing in the summer of 2018/19.

The Solution to the Authoritarian Right Wing is Not the Authoritarian Left but Libertarianism

The answer to right-wing authoritarianism is not more authoritarianism only with a softer face

The Western World is still recoiling at, but fascinated by, the horrors of World War II. Consistent with Francis Fukuyama’s Great Pendulum Theory, we have been looking for solutions to the problems of life that led us into World War II and this has pushed us to the far-left. This essay will argue that the solution to the excesses of the authoritarian right is not authoritarian leftism but libertarianism.

The authoritarian left can be found crying crocodile tears over all kinds of suffering that it blames on the right, in the hope that they can gather more power as a result of the ensuing outrage. Characteristic of the authoritarian left is that they make the same critiques of capitalism and verticalised social structures as the libertarian left, but they offer radically different solutions.

Instead of more freedom for good people, the authoritarian left seeks less freedom for bad people. It sounds like it should lead to similar results, but it doesn’t. Less freedom for good people is one obvious side-effect, but this is considered merely a bit of collateral damage. Those who lose out will understand that such measures were necessary for the sake of the greater good – and if they don’t understand this we will force them to.

Another flaw of the authoritarian left is their bloodlust for punishing those who they consider to have transgressed the moral code. In this sense, the authoritarian left is no less vicious than the authoritarian right, only they purport to brutally punish people to further an agenda of horizontalism instead of one of verticalism. Anyone who tries to elevate one person or group above another is to be ripped down.

Right now, the wet dream of all authoritarian leftists is control of public speech, especially on social media. There is nothing that they would like more than to bring in “hate speech” laws governing social media discourse, so that anyone who expressed a politically incorrect sentiment would be harassed by the Police. Their logic is that if the people were forbidden from expressing certain dangerous ideas then those ideas would become less widespread, thereby dispelling the danger.

The real problem with authoritarian leftism is that the people promoting it are also promoting authoritarian solutions, which tend to mutate back into authoritarian rightism before anyone realises it. As mentioned above, the authoritarian leftists tend to make accurate and fair criticisms of right-wing policy – the problem arises when their recommended response to those criticisms is to centralise more power in their own hands.

The real solution to the problems of the authoritarian right is libertarianism, whether of the left or the right variety. That some on the libertarian left are unwilling to concede this point is a real danger. If the libertarian left is unwilling to co-operate with the libertarian right to oppose authoritarian solutions, they will find the authoritarians co-operating to split the libertarians in half.

Currently, there is a large risk that the extreme, authoritarian right will come back to prominence as a consequence of the social unrest brought about by mass Third World immigration into the West, especially Europe.

The authoritarian left’s solution to this problem is to “stop bigotry” by cracking down on what they deem “hate speech”. Because the dogma has it that all human groups are precisely equal in all ways, any economic disparity between one group and another must come from the malicious efforts of the wealthy group to undermine and impoverish the poor one. Therefore, Third Worlders can only be poor and violent because of prejudice, which must then be stamped out.

The problem with this is, if and when the authoritarian right comes back into power, they will have all these hate speech laws already on the books and a population conditioned to accept gross abuses of state power in the service of some spurious link to a greater good. They might even have – worst of all – a population desperate for change, baying for blood and with hate speech laws on the books. Then it’s a simple matter of adjusting the definition of hate to “speech against nation/race/ruler” and we have another genocide on our hands.

Beating the authoritarian right will require that we intelligently encourage avenues of freedom that take people away from the left-authoritarian/right-authoritarian cycle. If we love freedom more than we love our own delusions that we can perfect the world by force, then we can accept that working towards libertarianism is a worthwhile goal, regardless of whether it’s left or right in form.

This will require that the ruling powers guarantee the cognitive liberty of the people. In particular this means to keep the Internet free, to keep artistic expression unrestricted, to keep the press free and to refuse all punitive forms of drug prohibition.

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If you enjoyed reading this essay, you can get a compilation of the Best VJMP Essays and Articles of 2017 from Amazon for Kindle or Amazon for CreateSpace (for international readers), or TradeMe (for Kiwis).