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VJMP Reads: Julius Evola’s Ride the Tiger V

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The 13th essay in Ride The Tiger is called ‘Sartre: Prisoner Without Walls’. This essay is very short – only three pages – and concerns itself with the attitude that one ought to take towards inherent freedom. Criticising Sartre’s conception of man as “condemned to be free”, Evola decries the idea that ultimate freedom is any kind of curse, describing this attitude as characteristic of the deep nihilism of the 20th century.

Sartre’s conception of life is, in Evola’s estimation, a fundamentally negative one in that one considers the human experience akin to being a prisoner without walls. For Evola, this maudlin attitude is not appropriate, for it brings with it suffering. Something more is needed.

The 14th essay is called ‘Existence, “Α Project Flung into the World”‘. Here Evola continues to outline his misgivings with existentialism, despite giving it credit for accurately describing the dilemma of the human condition. Existentialism also gets credit for moving beyond primitive solutions like religion and scientific materialism.

As mentioned previously, Evola’s main problem with existentialism is metaphysical. The varieties of existentialism that do not give a satisfactory answer to metaphysical questions are no better than nihilisms. For this reason, the maxim “existence precedes essence” must be rejected. A person is that which transcends the mere physical form; if not, existence is nothing more than morphing randomly into various shapes. Transcendence cannot and will not be found outside the self.

The idea of anxiety over lost choices, opportunities and paths is, for Evola, ridiculous – and materialistic. The transcendent principle ought to exclude such thoughts. The nature of things cannot usefully be said to be sinful in and of itself. Much better to adopt the ancient Greek view of cultivating appreciation of the beauty of limits and form.

The 15th essay is called ‘Heidegger: “Retreating Forwards” and “Being-for-Death” – Collapse οf Existentialism’. The problem with Heidegger, Evola contends, is that his philosophy is motivated principally by a fear of death, in particular the death of the false self, or I. It’s better to disavow identification with the I, and to choose instead to identify with the transcendent, than to march to the drumbeat of death.

Here Evola continues with his criticisms of existentialist philosophy, accusing it of promoting a bleak, sombre and submissive attitude towards the world, one of resignation. Jaspers offers no other solution but faith. In fact, none of the existentialists have offered a satisfactory solution to the problems of nihilism as outlined by Nietzsche. “Existentialism is a projection of modern man in crisis”.

Neither is faith satisfactory, for that is essentially no different from the “Catholic existentialism” that has already been rejected on account of positing the transcendent outside oneself. It must be accepted that God is dead. Transcendence ought not be conceived of as the ‘other’; rather one should begin from the point of transcendence and consider the world from that perspective.

In any case, all of these men, religious and existentialist alike, are written off as petit bourgeoisie, writing about petit bourgeoisie concerns. The real philosophy comes from the men who have survived the “storms of steel and fire” of the early 20th century: those who have been tested. These are the men who understand the true nature of things; they understand “being able to be destroyed, even, without thereby being wounded”.

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VJMP Reads: Julius Evola’s Ride the Tiger IV

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The tenth essay in Ride The Tiger is called ‘Invulnerability – Apollo and Dionysus’. Here Evola further describes his conception of an aristocrat of the soul as someone who feels very deeply and who is very moved by things. The modern man (the man of clay, essentially), only feels very shallow emotions, and quickly moves from one such shallow impression to the next.

In this essay, Evola touches on the truly aristocratic topic of deliberately exposing oneself to great trials and tribulations, for the sake of learning one’s true nature. Alchemists will recognise this mentality as the one necessary to burn away everything but the gold so as to learn to distinguish Spirit from Nature. The purifying fire is that which burns away body and mind and leaves one with one’s true nature – it is necessary because it burns away everything shallow, leaving only actions which arise from the depths.

A person who has done this may find themselves gifted with a “transcendent confidence” that is characteristic of the aristocrat of the soul. This is important because in purifying oneself down to the gold one also strips away all of the conditioned belief in life’s meaning. To proceed past this stage, the alchemist must find within themselves the will to assert a meaning to life independent of any outside source. Then one is invulnerable.

To open oneself without falling apart is not easy in an age of dissolution. Here Evola takes care to point out that it’s very easy to fall at the second hurdle. Just because mainstream religion is bullshit doesn’t mean that we should abandon it for wild paganism and barbarianism. There is more.

The eleventh essay is called ‘Acting Without Desire – The Causal Law’. Once a person discovers their true nature, they should also learn the ability to act without desire. This entails taking the correct action at any given time instead of becoming distracted by profit or loss, or by what other people might think of you. Doing what needs to be done.

This needs to be qualified, however. There are naturalistic desires, that arise from the biology of the human animal. These are generally to be avoided. There are also, however, heroic desires, that arise from something greater than the merely physical, from something transcendent. These may be acted upon.

An aristocratic person, then, thinks not in terms of sin but in terms of error. The concept of sin is impossible because God has long been repudiated; all that remains is adherence to standards that one sets from within as an expression of one’s true nature.

One ought to act with a mind to what is effectively a law of karma, in that actions have consequences, regardless of whether those actions conform to any conception of good or evil. Those consequences are real and should be regarded as such. This is fine because the real man of gold doesn’t just live, but rather manifests himself and his true nature in the world.

This is the end of the second part of the book. The next part is called ‘The Dead End of Existentialism’, and the first essay here is the book’s twelfth: ‘Being and Inauthentic Existence’. This deals with the two types of existentialism (as Evola sees it): the philosophical, academic tradition and the practical tradition exemplified by Jean-Paul Sartre.

Evola dismisses existentialism almost entirely, for the reason that the existentialist philosophers are too much a product of their times, and because they are not themselves interested in the world beyond. The existentialists are very materialistic and this disqualifies existentialism from being a philosophy that an aristocrat might be concerned with.

Despite this, existentialism can be credited with some things. For one, the idea that “existence precedes essence” serves to keep the existentialist in touch with the metaphysical and transcendent. It also helps to highlight the dual nature of the aristocratic soul, which, as described earlier, is much deeper than that of the pleb.

VJMP Reads: Julius Evola’s Ride the Tiger III

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The sixth essay in Ride The Tiger is called “Active Nihilism – Nietzsche”, and continues to deal with the problem of the Death of God. Also continuing with the esoteric theme of this book, Evola appears to insist that the solution is alchemical. The negative is overwhelming and ascendant; it cannot be resisted. So the question becomes “how far the negative can be transformed into something positive.”

Here we are concerned with “the transition to the postnihilist stage.” Modern man is free, free from the strictures of Abrahamism – but free for what? We have striven against our enslavement for so long that we don’t know what to do with freedom. We invented God to assuage our existential anxiety, and, now that we are “free” from this God, that anxiety has rushed back with a vengeance. Evola cites Sartre here: “We are condemned to be free.”

Evola contends that Nietzsche’s conception of the Superman is not sufficient to avoid this nihilism. His reasoning is that the Superman theory is not sufficiently different from the other eschatologies, such as the Marxist one, and therefore cannot be more than a pseudosolution to the problem of nihilism.

As was true for Marxism, the Superman theory could potentially be used to justify all manner of horrors in the present by promising paradise in the future. However, Nietzsche’s theory of eternal recurrence strikes much closer to what might be described as a perennial philosophy.

The seventh essay is called “Being Oneself.” It seems as if that, once the pseudosolutions and outright false philosophies are abandoned, what one is left with is oneself. This something is beyond morality (indeed, morality is considered something to be liberated from), and internal, instead of imposed from without as if by God or King.

Nietzsche comes in for some criticism here. Evola considers his attitude to the human spirit “materialistic”, but concedes that Nietzsche must have seen beyond because he is capable of distinguishing the “Self” from the “I”. Other thinkers, such as Guyau, are considered, but dismissed for not offering anything truly new, merely “restrictions that more or less return to one οf the systems οf the old morality.”

Evola concludes that the answer, as ever, is to “Know Thyself”. However, there’s a caveat. In the past, it was easier to know thyself because one was defined by strictures of class, religion, nation, caste and many other things. Modern man is free, so he cannot fall back on these now-abandoned strictures.

Modern man is, in fact, so free that it is as if he has been shattered to pieces. His soul “contains multitudes”. This shattering, Evola contends, can be most easily observed in remorse, which is an emotion that mostly affects divided people and which is characteristic of our time.

The eighth essay is called “The Transcendent Dimension – ‘Life’ and ‘More Than Life'”. The man who gets it, Evola contends, is one who possesses a transcendental dimension, a spiritual dimension. Here he distances himself further from Nietzsche, who for Evola was more of a vessel that history acted through than a genuine actor in his own right. Nietzsche’s great error was “confusion of the sacred with the profane”.

Evola, through quoting Nietzsche, gives us a prescription for a man of gold, although without using alchemical terms: a many who has great passions (clay), but who holds them in check (iron), and who hold them in check with apparent ease (silver) and who, last of all, does not draw any particular egoic satisfaction from doing so (gold). Here, the highest sort of man is one who overcomes great dangers, for it is only in doing so that all these qualities can be expressed.

Evola mentions the common interest in Zen philosophy among the Beat Generation that was heavily influenced by the existentialists. Here, religious belief (of any kind) is rejected as a failure of the human spirit, of the sort of person who did not have the character to survive the tension of the Age of Nihilism, and who hence surrendered to easy answers.

VJMP Reads: Julius Evola’s Ride the Tiger II

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Part II of Ride the Tiger is called ‘In the World Where God is Dead’, and deals with the ever-present problem of the nihilism that arises when one abandons traditional values. This part consists of nine essays.

The first of these (the third essay in the book), ‘European Nihilism – the Dissolution of Morals’, sets the tone for this section. The subject matter will be familiar to any reader of Nietzsche, and indeed Nietzsche is mentioned in the first paragraph. This essay also mentions Doestoevsky, in the context of “If God is dead, everything is permitted.” It promises to be heavy stuff!

“Rational”, or atheistic morality, has no firm basis, Evola contends. Without an appeal to a higher power, any moral philosophy will eventually be chipped away at by critics until it disintegrates. Moral taboos cannot be justified, and therefore we can’t move past “everything is permitted”.

Perhaps more worryingly, it’s possible that, even if God did exist and inform us all, nothing would really change.

The fourth essay is ‘From the Precursors of Nihilism to the “Lost Youth” and the Protest Movement’. Existence has become absurd, Evola contends, because there are no longer any restraints. Here he traces the advancement of nihilism in the years post-Nietzsche. As Nietzsche predicted, the problem of nihilism only intensified as we entered the 20th century.

Movements such as punks and beatniks are drawn under the wider rubric of nihilists. The counter-culture becomes, for Evola, a “destructive, voiceless rage”. It’s isn’t necessarily that things are bad in and of themselves, but that a quiet, peaceful, mediocre life evokes this rage. Natural man feels little difference between the modern cornucopia of manufactured goods and slavery.

Citing Paul van den Bosch when he wrote that “When we were born, the gold was already transmuted into lead,” Evola makes another appeal to the perennial philosophy and its esoteric nature. This is necessary because the left-wing revolution has “betrayed its origins” with “a new conformism” – a statement that echoes in 2018.

The fifth essay is ‘Disguises of European Nihilism – The Socioeconomic Myth and the Protest Movement’. To Evola’s mind, there are two great socioeconomic myths of our time: the myth of Western prosperity, and the Marxist-communist myth of oppressor versus oppressed. Both myths are predicated on the same falsehood, namely that the signs and markers of the dissolution of society represent “progress”.

One severe problem exists with both of these myths: neither has any room for any conception of a higher world – the realm of gold in alchemism – and so both myths, while they solve the problem of nihilism, introduce unacceptable problems of their own. Both ideologies are predicated on a gross, fundamental error: that solving questions of material suffering will also solve questions of existential suffering.

Perhaps the last words here are “there is no correlation between material and spiritual misery.” This lays out the futility of trying to find absolution through materialist avenues. One is left with the impression, in Evola’s words, that “The time is near of the most despicable οf men, who can nο longer despise himself.”

Are we now in the time of the Man of Clay?