VJMP Reads: Julius Evola’s Ride the Tiger VIII

This reading continues on from here.

The 22nd essay in Ride The Tiger is called ‘Dissolution of Modern Art’. Much like everything else, Evola contends that art has also degenerated. In the case of art, it has degenerated into a feminine subjectivity that is too afraid to say anything. Now we can no longer even speak of traditional art because no-one has any idea what that even is.

In this essay Evola echoes Plato’s description of the degeneration of political forms, only applied to the world of art. Modern art would be best served by achieving maximum craptitude, because that would provide the clean spiritual slate upon which something authentic could be written. Literature is also criticised as “fetishising” human relationships and merely documenting them with full banality.

As in many previous essays, Evola concludes that art has been given too great an importance, to the detrimental of the spiritual. What gives meaning to life can exist “even in the virtual absence of art”. Art has, in reality, undermined idealism, especially in the modern world. Positive realism lies in the assertion of values such as truth and spiritual courage. That which truly has value needs no consensus to agree.

The 23rd essay is ‘Modern Music and Jazz’. Evola has a keen interest in music and understands its development over the course of recent centuries. Perhaps weirdly, Evola writes here about the “preponderance of dance music over vocal and emotional music” – a sentiment shared by many today. He considers that the drift towards nihilism in philosophy and art has been echoed by one in music.

Music has, according to Evola, developed in ways that mirror the development of all other social movements. Therefore, the advent of jazz is no surprise – it is merely the democratisation of music, something “primitively ecstatic”. This doesn’t mean that jazz is crude, though, or that jazz players are unskilled musicians. It simply heralds the return to the world of fundamental, elemental forces.

This “Negro music” is associated with “dark forms of ecstasy” in Evola’s reckoning. He compares the feelings that arise from dancing to rhythmic music to the frenzies of the dervishes: “possessions of savage ritual”. Despite frequently being paired with drugs, these occasions cannot be compared to the ancient rites of Dionysus etc. because there is nothing sacred about them – they are mere escapism.

On the subject of drugs, the 24th essay is ‘Excursus on Drugs’. Evola considers drugs to “most visibly have the goal of an ecstatic escape”. Some of the people who choose such an escape are those who have perceived the meaninglessness of human existence. Others are “neurotics and psychopaths”. Part of the danger of drugs is, like rhythmic music, they can be used to open up awareness to a suprasensible world, such as in initiatory ritual.

Despite this caution, Evola gives due credit to the use of various drugs in sacred ritual. The Taoists considered even the use of alcohol to have a kind of magical effect, and he mentions the Central American shamanic traditions that made much use of mescaline, peyote and psilocybin mushrooms. However, he also points out that no-one really understands how to use these sacraments anymore, because no-one is capable of the necessary spiritual preparation. This leads to the risk of “possession by dark powers”.

If used correctly, nonprofanely, drugs offer the possibility of coming into contract with a superior dimension of reality. Stimulants and depressants can more or less be ignored for these purposes. Hallucinogens are excellent but have many drawbacks; their ancient use involved guiding the trip with symbols and a preliminary catharsis of emotion, two things that are seldom done today. Narcotics can be useful for the sake of dissociating from the mundane but the experience is hard to control.

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VJMP Reads: Julius Evola’s Ride the Tiger VII

This reading continues on from here.

Part Five of Ride The Tiger is called ‘Dissolution of Consciousness and Relativism’ and is comprised of two essays.

The first of these is called ‘The Procedures of Modern Science’. Here Evola begins by describing how the Western idea of Western supremacy upholds itself by appeal to its achievements in materialist science. Evola thinks that this is a gross error, and goes as far as to say that “None οf modern science has the slightest value as knowledge.” It is concerned with statistics and probability rather than truth.

The cult of scientific objectivity that Evola decries is all too willing to discard currently-held theories in favour of ones that, if adopted, provide temporary gains in terms of political power. This supposed objectivity, instead of leading to ever-refining truth, has merely caused science to lose itself chasing shadows. Einstein’s theory of relativity comes in for special criticism, being notable only for producing the bomb.

Scientism has only led to a kind of cult of quantity, which has made people obsessed with numbers and formulas and abstractions, so that we have forgotten what reality actually is and what it’s about. It’s a false logic, and it’s grossly unsuitable for anyone with spiritual pretensions.

The twentieth essay is called ‘Covering Up Nature – Phenomenology’ and continues the theme of the inadequacy of the scientific culture. Science hasn’t really got us any closer to the nature of reality, and each new “advance” merely takes us further away. After all, the world of our actual experience is still made up of fire, air, earth and water, and mathematical abstractions tell us nothing about how to deal with these.

Modern man is destructive because scientism has conditioned him to see everything as soulless. Our compulsory education system brainwashes children with this perspective from when they are very small. Even worse is the popular delusion that science can replace religion in the sense that it might give humanity a promised path to future happiness. This delusion has caused much misery.

Alchemically, this essay continues the theme of decrying the men of silver, whose preoccupations have not and can not lead to spiritual absolution. Evola gives credit to the concerns of the men of silver in so far as the discipline of mathematics cultivates clarity of thought, but all of these intellectualisms ignore the spiritual. Once one has seen the “great illusion” it’s apparent that science cannot be sufficient to solve human needs.

The twenty-first essay is called ‘Sickness and the European Culture’ and comes back to the subject of European decadence. This essay is very short, at only three pages.

Here Evola reinforces the contention that European culture has become sick because it has lost its spiritual centre. With no shared sense of spiritual tradition, the forces holding society together have weakened, and some parts of it have broken away. The tragedy of World War II is considered a natural consequence of this process of technical and scientific advancement at the expense of spiritual knowledge.

Part of the problem, Evola holds, is that politics has become separated from an intellectual and cultural class that, in its conceit, has decided it’s above the political. This is not the fault of that class so much as it is a symptom of the collapse of the unifying, transcendent and spiritual ideas that lie underneath cultural expressions such as politics and the arts.

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VJMP Reads: Julius Evola’s Ride the Tiger VI

This reading continues on from here.

Part Four of Ride The Tiger is called ‘Dissolution of the Individual’ and is comprised of three essays. The first of these, the sixteenth in the book, is called ‘The Dual Aspect of Anonymity’. Railing against the “collectivism, mechanization, standardization, and soullessness οf modern existence,” here Evola attempts to find an answer to the question of what is worth saving.

It’s at this point that Evola finally gets to the esotericism. Individualism is part of the problem facing us, he contends, because it has led to the atomisation of society. Worse, it has no spiritual basis. What is taken by Westerners to be the individual is not what a person really, fundamentally is.

In esoteric terms, Evola is here talking about the difference between silver and gold. Here the men of silver are decried for their pomposity and hypocrisy, for this has obscured the light of spiritual truth and made it more difficult for the men of gold to play their part. The false self must be transcended and the true self reconnected with, otherwise we will continue to flounder.

The seventeenth essay is called ‘Destructions and Liberations in the New Realism’. Here, Evola gives us for the first time a specific sense of what it might mean to “ride the tiger”. For him it is a life lived at the limit, in a way that actualises the “absolute person”. Most people who discover this do so through warfare, for it is here that an extreme lucidity stripping away all extraneous concerns can be achieved.

Evola makes vague hints at a gross feminising process that, he warns, will make any individualisation impossible. Crucially, however, this feminisation is necessary, to destroy the corruption of the old order. He continues to emphasise that any true revaluation of values must come from that “minority” who retain a sense of the transcendental. Anyone else will merely make the same mistakes that the other non-spiritual people have made.

What is necessary to move forwards from here is “a clear, detached, objective vision οf existence” and “a positive, existential incapacity to submit to ‘myths’ οf any kind whatsoever”. The new mythologies (such as Marxism) are not only doomed to fail, they are in fact signs of systemic failure.

The eighteenth essay is called ‘The “Animal Ideal” – the Sentiment of Nature’. Here Evola talks about the two fundamental spiritual orientations – the first being the hermit who lives without company and the second the wanderer who lives without fixed abode. Incredibly for an essay published in 1961, here Evola talks about the isolation and detachment that can be caused by modern communication technology and city life, foreshadowing contemporary sentiments about the Internet and smartphones.

Anticipating – and pre-emptively decrying – the hippie movement as a bourgeoisie failure, Evola rejects a return to primitivism as being merely a naked form of materialism. Conceding that athletics and sports may be useful (although he decries professional sport), Evola once again asserts that spiritual needs must come first. The true aristocrat of the soul must feel as comfortable among dams and skyscrapers as among trees and streams, for the former is an expression of human nature and thereby of Nature itself.

Fundamentally, a person needs to accept that “nothing extraordinary exists in the beyond”. Only the real exists and only the real can be said to exist. To this end, there is a lot of wisdom in ancient traditions, especially Zen. These allow us to cultivate an appreciation of how reality consists of both the immanent making itself transcendent and the transcendent making itself immanent.

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VJMP Reads: Julius Evola’s Ride the Tiger V

This reading continues on from here.

The 13th essay in Ride The Tiger is called ‘Sartre: Prisoner Without Walls’. This essay is very short – only three pages – and concerns itself with the attitude that one ought to take towards inherent freedom. Criticising Sartre’s conception of man as “condemned to be free”, Evola decries the idea that ultimate freedom is any kind of curse, describing this attitude as characteristic of the deep nihilism of the 20th century.

Sartre’s conception of life is, in Evola’s estimation, a fundamentally negative one in that one considers the human experience akin to being a prisoner without walls. For Evola, this maudlin attitude is not appropriate, for it brings with it suffering. Something more is needed.

The 14th essay is called ‘Existence, “Α Project Flung into the World”‘. Here Evola continues to outline his misgivings with existentialism, despite giving it credit for accurately describing the dilemma of the human condition. Existentialism also gets credit for moving beyond primitive solutions like religion and scientific materialism.

As mentioned previously, Evola’s main problem with existentialism is metaphysical. The varieties of existentialism that do not give a satisfactory answer to metaphysical questions are no better than nihilisms. For this reason, the maxim “existence precedes essence” must be rejected. A person is that which transcends the mere physical form; if not, existence is nothing more than morphing randomly into various shapes. Transcendence cannot and will not be found outside the self.

The idea of anxiety over lost choices, opportunities and paths is, for Evola, ridiculous – and materialistic. The transcendent principle ought to exclude such thoughts. The nature of things cannot usefully be said to be sinful in and of itself. Much better to adopt the ancient Greek view of cultivating appreciation of the beauty of limits and form.

The 15th essay is called ‘Heidegger: “Retreating Forwards” and “Being-for-Death” – Collapse οf Existentialism’. The problem with Heidegger, Evola contends, is that his philosophy is motivated principally by a fear of death, in particular the death of the false self, or I. It’s better to disavow identification with the I, and to choose instead to identify with the transcendent, than to march to the drumbeat of death.

Here Evola continues with his criticisms of existentialist philosophy, accusing it of promoting a bleak, sombre and submissive attitude towards the world, one of resignation. Jaspers offers no other solution but faith. In fact, none of the existentialists have offered a satisfactory solution to the problems of nihilism as outlined by Nietzsche. “Existentialism is a projection of modern man in crisis”.

Neither is faith satisfactory, for that is essentially no different from the “Catholic existentialism” that has already been rejected on account of positing the transcendent outside oneself. It must be accepted that God is dead. Transcendence ought not be conceived of as the ‘other’; rather one should begin from the point of transcendence and consider the world from that perspective.

In any case, all of these men, religious and existentialist alike, are written off as petit bourgeoisie, writing about petit bourgeoisie concerns. The real philosophy comes from the men who have survived the “storms of steel and fire” of the early 20th century: those who have been tested. These are the men who understand the true nature of things; they understand “being able to be destroyed, even, without thereby being wounded”.

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VJMP Reads: Julius Evola’s Ride the Tiger IV

This reading continues on from here.

The tenth essay in Ride The Tiger is called ‘Invulnerability – Apollo and Dionysus’. Here Evola further describes his conception of an aristocrat of the soul as someone who feels very deeply and who is very moved by things. The modern man (the man of clay, essentially), only feels very shallow emotions, and quickly moves from one such shallow impression to the next.

In this essay, Evola touches on the truly aristocratic topic of deliberately exposing oneself to great trials and tribulations, for the sake of learning one’s true nature. Alchemists will recognise this mentality as the one necessary to burn away everything but the gold so as to learn to distinguish Spirit from Nature. The purifying fire is that which burns away body and mind and leaves one with one’s true nature – it is necessary because it burns away everything shallow, leaving only actions which arise from the depths.

A person who has done this may find themselves gifted with a “transcendent confidence” that is characteristic of the aristocrat of the soul. This is important because in purifying oneself down to the gold one also strips away all of the conditioned belief in life’s meaning. To proceed past this stage, the alchemist must find within themselves the will to assert a meaning to life independent of any outside source. Then one is invulnerable.

To open oneself without falling apart is not easy in an age of dissolution. Here Evola takes care to point out that it’s very easy to fall at the second hurdle. Just because mainstream religion is bullshit doesn’t mean that we should abandon it for wild paganism and barbarianism. There is more.

The eleventh essay is called ‘Acting Without Desire – The Causal Law’. Once a person discovers their true nature, they should also learn the ability to act without desire. This entails taking the correct action at any given time instead of becoming distracted by profit or loss, or by what other people might think of you. Doing what needs to be done.

This needs to be qualified, however. There are naturalistic desires, that arise from the biology of the human animal. These are generally to be avoided. There are also, however, heroic desires, that arise from something greater than the merely physical, from something transcendent. These may be acted upon.

An aristocratic person, then, thinks not in terms of sin but in terms of error. The concept of sin is impossible because God has long been repudiated; all that remains is adherence to standards that one sets from within as an expression of one’s true nature.

One ought to act with a mind to what is effectively a law of karma, in that actions have consequences, regardless of whether those actions conform to any conception of good or evil. Those consequences are real and should be regarded as such. This is fine because the real man of gold doesn’t just live, but rather manifests himself and his true nature in the world.

This is the end of the second part of the book. The next part is called ‘The Dead End of Existentialism’, and the first essay here is the book’s twelfth: ‘Being and Inauthentic Existence’. This deals with the two types of existentialism (as Evola sees it): the philosophical, academic tradition and the practical tradition exemplified by Jean-Paul Sartre.

Evola dismisses existentialism almost entirely, for the reason that the existentialist philosophers are too much a product of their times, and because they are not themselves interested in the world beyond. The existentialists are very materialistic and this disqualifies existentialism from being a philosophy that an aristocrat might be concerned with.

Despite this, existentialism can be credited with some things. For one, the idea that “existence precedes essence” serves to keep the existentialist in touch with the metaphysical and transcendent. It also helps to highlight the dual nature of the aristocratic soul, which, as described earlier, is much deeper than that of the pleb.

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VJMP Reads: Julius Evola’s Ride the Tiger III

This reading continues on from here.

The sixth essay in Ride The Tiger is called “Active Nihilism – Nietzsche”, and continues to deal with the problem of the Death of God. Also continuing with the esoteric theme of this book, Evola appears to insist that the solution is alchemical. The negative is overwhelming and ascendant; it cannot be resisted. So the question becomes “how far the negative can be transformed into something positive.”

Here we are concerned with “the transition to the postnihilist stage.” Modern man is free, free from the strictures of Abrahamism – but free for what? We have striven against our enslavement for so long that we don’t know what to do with freedom. We invented God to assuage our existential anxiety, and, now that we are “free” from this God, that anxiety has rushed back with a vengeance. Evola cites Sartre here: “We are condemned to be free.”

Evola contends that Nietzsche’s conception of the Superman is not sufficient to avoid this nihilism. His reasoning is that the Superman theory is not sufficiently different from the other eschatologies, such as the Marxist one, and therefore cannot be more than a pseudosolution to the problem of nihilism.

As was true for Marxism, the Superman theory could potentially be used to justify all manner of horrors in the present by promising paradise in the future. However, Nietzsche’s theory of eternal recurrence strikes much closer to what might be described as a perennial philosophy.

The seventh essay is called “Being Oneself.” It seems as if that, once the pseudosolutions and outright false philosophies are abandoned, what one is left with is oneself. This something is beyond morality (indeed, morality is considered something to be liberated from), and internal, instead of imposed from without as if by God or King.

Nietzsche comes in for some criticism here. Evola considers his attitude to the human spirit “materialistic”, but concedes that Nietzsche must have seen beyond because he is capable of distinguishing the “Self” from the “I”. Other thinkers, such as Guyau, are considered, but dismissed for not offering anything truly new, merely “restrictions that more or less return to one οf the systems οf the old morality.”

Evola concludes that the answer, as ever, is to “Know Thyself”. However, there’s a caveat. In the past, it was easier to know thyself because one was defined by strictures of class, religion, nation, caste and many other things. Modern man is free, so he cannot fall back on these now-abandoned strictures.

Modern man is, in fact, so free that it is as if he has been shattered to pieces. His soul “contains multitudes”. This shattering, Evola contends, can be most easily observed in remorse, which is an emotion that mostly affects divided people and which is characteristic of our time.

The eighth essay is called “The Transcendent Dimension – ‘Life’ and ‘More Than Life'”. The man who gets it, Evola contends, is one who possesses a transcendental dimension, a spiritual dimension. Here he distances himself further from Nietzsche, who for Evola was more of a vessel that history acted through than a genuine actor in his own right. Nietzsche’s great error was “confusion of the sacred with the profane”.

Evola, through quoting Nietzsche, gives us a prescription for a man of gold, although without using alchemical terms: a many who has great passions (clay), but who holds them in check (iron), and who hold them in check with apparent ease (silver) and who, last of all, does not draw any particular egoic satisfaction from doing so (gold). Here, the highest sort of man is one who overcomes great dangers, for it is only in doing so that all these qualities can be expressed.

Evola mentions the common interest in Zen philosophy among the Beat Generation that was heavily influenced by the existentialists. Here, religious belief (of any kind) is rejected as a failure of the human spirit, of the sort of person who did not have the character to survive the tension of the Age of Nihilism, and who hence surrendered to easy answers.

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VJMP Reads: Julius Evola’s Ride the Tiger II

This reading continues on from here.

Part II of Ride the Tiger is called ‘In the World Where God is Dead’, and deals with the ever-present problem of the nihilism that arises when one abandons traditional values. This part consists of nine essays.

The first of these (the third essay in the book), ‘European Nihilism – the Dissolution of Morals’, sets the tone for this section. The subject matter will be familiar to any reader of Nietzsche, and indeed Nietzsche is mentioned in the first paragraph. This essay also mentions Doestoevsky, in the context of “If God is dead, everything is permitted.” It promises to be heavy stuff!

“Rational”, or atheistic morality, has no firm basis, Evola contends. Without an appeal to a higher power, any moral philosophy will eventually be chipped away at by critics until it disintegrates. Moral taboos cannot be justified, and therefore we can’t move past “everything is permitted”.

Perhaps more worryingly, it’s possible that, even if God did exist and inform us all, nothing would really change.

The fourth essay is ‘From the Precursors of Nihilism to the “Lost Youth” and the Protest Movement’. Existence has become absurd, Evola contends, because there are no longer any restraints. Here he traces the advancement of nihilism in the years post-Nietzsche. As Nietzsche predicted, the problem of nihilism only intensified as we entered the 20th century.

Movements such as punks and beatniks are drawn under the wider rubric of nihilists. The counter-culture becomes, for Evola, a “destructive, voiceless rage”. It’s isn’t necessarily that things are bad in and of themselves, but that a quiet, peaceful, mediocre life evokes this rage. Natural man feels little difference between the modern cornucopia of manufactured goods and slavery.

Citing Paul van den Bosch when he wrote that “When we were born, the gold was already transmuted into lead,” Evola makes another appeal to the perennial philosophy and its esoteric nature. This is necessary because the left-wing revolution has “betrayed its origins” with “a new conformism” – a statement that echoes in 2018.

The fifth essay is ‘Disguises of European Nihilism – The Socioeconomic Myth and the Protest Movement’. To Evola’s mind, there are two great socioeconomic myths of our time: the myth of Western prosperity, and the Marxist-communist myth of oppressor versus oppressed. Both myths are predicated on the same falsehood, namely that the signs and markers of the dissolution of society represent “progress”.

One severe problem exists with both of these myths: neither has any room for any conception of a higher world – the realm of gold in alchemism – and so both myths, while they solve the problem of nihilism, introduce unacceptable problems of their own. Both ideologies are predicated on a gross, fundamental error: that solving questions of material suffering will also solve questions of existential suffering.

Perhaps the last words here are “there is no correlation between material and spiritual misery.” This lays out the futility of trying to find absolution through materialist avenues. One is left with the impression, in Evola’s words, that “The time is near of the most despicable οf men, who can nο longer despise himself.”

Are we now in the time of the Man of Clay?

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VJMP Reads: Julius Evola’s Ride the Tiger I

Having chosen a left-wing work (The Interregnum) for our previous reading, we now go to the right again and have a look at Julius Evola’s Ride the Tiger. Subtitled “A Survival Manual for the Aristocrats of the Soul”, it’s based on the premise that the fight against modernity has been lost and the only thing a thinking man can do is ride the tiger of modernity until it’s time to rebuild on the other side.

Part I of the eight parts of this book is called “Orientations” and divides into two essays.

The first of these is called ‘The Modern World and Traditional Man’. This opens outright with a declaration that this text isn’t for everyone. Like The Satanic Bible, Evola is explicit in that his book is only for a particular kind of person. Ride the Tiger is written for the outsider.

Evola’s style seems timeless in the sense that his complaints about the nature of society apply just as well to 2018 as they did to his time, and probably apply well to many times in the past. Things are collapsing, certainly in social terms if not yet physical ones, and so Evola advocates a return to traditional values.

These traditional values are not bourgeoisie ones, Evola is at pains to point out, but in fact “the very antithesis of them.” Indeed, he hints at evoking the perennial philosophy, such as when he writes “It is good to sever every link with all that which is destined sooner or later to collapse. The problem will then be to maintain one’s essential direction without leaning οn any given or transmitted form.”

Psychonauts such as the readership of VJM Publishing will commiserate with this feeling, as it’s a handy description of the ego death experience that comes with the peak of a psychedelic trip. One loses all touch with and memory of the fleeting forms of energy that make up the material world, and resides solely in pure consciousness, and thereby reunites with God.

Fittingly, then, Evola states that the Tradition that inspires him has “the character of an esoteric doctrine.”

The second essay, ‘The End of a Cycle – “Ride the Tiger”‘, continues in the same vein. Evola explains that the expression “to ride the tiger” is from the Far East and refers to the idea that it’s safer to ride on the tiger’s back than to try and flee and get pounced on, for the tiger will eventually tire out and then one can make an escape.

Essentially, the idea expressed here is this: great and terrible changes are sweeping the world, and will continue to do so. They will destroy much, if not all, of the existing order, regardless of whether this order is good or bad. There is no hope of resisting this process.

All of this sounds terribly pessimistic and nihilistic on the surface, but it’s clear that, like Nietzsche before him, Evola has anticipated the nihilism that follows the destruction of the incumbent value system, and is speaking of what must come beyond that. He writes of the “Four Ages” system famililar to readers of Plato’s Republic as well as to Hindus.

The warning of this chapter is that the forces of destruction and degeneracy are too powerful to be overcome; resisting them is as futile as resisting the tide. But in this there is still a message of hope: those destructive forces are too mindless, stupid and disorderly to hold sway for very long and so, like the storm, they will pass, and leave an opportunity to rebuild order in their wake.

And so, Evola mocks the “progressive” and “advanced” thinking of the West as little more than symptoms of a disease of the soul. This is apparently the context in which the book ought to be read.

The object of the book is summed up in the final paragraph of this essay: “defining the attitude to be taken toward certain experiences and processes of today”. In other words, how do we deal with the fact that everything’s falling to bits?

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VJMP Reads: The Interregnum: Rethinking New Zealand X

This reading carries on from here.

The tenth, and last, essay in The Interregnum is ‘Politics of Love’, by Max Harris. Like the other essays in this collection, it speaks from an unashamed youth perspective, such as when Harris complains of the “stale language” of the current political discourse.

This essay is about the politics of love, and it opens by defining what love is to Harris: “a feeling of deep warmth that is directed outwards towards an object, such as another person.” There is nothing objectionable about his definition of love; indeed it seems fairly comprehensive, especially when he writes that “the idea of love is closely tied to relationships and the connections between people.”

Predictably, given the Marxist leanings of the previous essays in this book, this essay quickly moves on to a declaration that the politics of love would necessitate “a willingness to accept a greater number of refugees.”

But one wonders why it is that emphasising the aspect of love leads naturally to the conclusions that Harris takes it to.

Why not, for example, stop all immigration to New Zealand from the Third World on account of love for the people already in New Zealand, whose living standards drop when Third Worlders move into their locales? Isn’t it entirely possible that my love for the people of New Zealand impels me to want to see them safe from robbery, rape and murder – the crimes that mass Third World immigration has brought to Europe and America?

Doesn’t our love for young New Zealand girls and women drive us to keep them safe from the rampant sexual abuse and harassment that is now part and parcel of the female experience in Europe?

Doesn’t our love for the homeless and mentally ill already in New Zealand drive us to take care of them as a priority, before we spend money importing irreparably damaged people from the other side of the world to jump in front of them in the queue?

Doesn’t our love for the hardworking taxpayer who has busted his back his whole life drive us to ensure that he can retire at a fitting age, instead of having to work into senescence to pay for gibs?

The essay makes a plea for more solidarity, but how is that possible when diversity is also increasing? It points out that New Zealanders already feel disconnected – so how will importing tens of thousands of “refugees” help? It will only add to the ethnic chaos, making us feel even more disconnected.

But Harris, and people like him, would happily call me hateful for asking those questions.

VJMP Reads: The Interregnum: Rethinking New Zealand IX

This reading carries on from here.

The ninth essay in The Interregnum is ‘Religion and the Real World’, by Daniel Kleinsman. It lays out its thematic question in the first paragraph: “does a pope’s ‘apostolic exhortation’ have any weight or relevance in the modern world?”

The scene is set by the usual canards of climate change and inequality. Pope Francis’s recent comments about how the world needs to do its bit to help with such issues is discussed.

Unfortunately, Kleinsman comes across as just another tub-thumper with an agenda. The insight that no relationship exists in isolation is credited to Francis as a “pope’s innovation”, when anyone with even a passing familiarity with comparative religion would know that the interdependence of all things is one of the original insights of the Buddha.

Ironically, even in an essay where Kleinsman has his lips firmly attached to the Pope’s anus, Kleinsman reveals the sham at the heart of Catholicism: the Pope credits evolution with bringing about consciousness, and is therefore a materialist who doesn’t actually understand spirituality.

This essay is poorly-written enough to contradict itself at several major points. The common theme of these contradictions is to demand that the whole world come together in harmony but to also dump all the blame for the condition of the world on a very select group of people.

If we’re all one, what’s the point in promoting this antagonistic dichotomy of “tangata whenua” and “tangata tiriti”, the only possible outcome of which is dividing the population into two opposing groups?

And if we’re all part of an interdependent system, aren’t all of us guilty of upholding and facilitating exploitation – even those being exploited by it?

One wistfully recalls the days when the left stood for solidarity between all people, and when the New Zealand left promoted the idea of Kiwitanga as a way of bridging the gaps between Maori and Pakeha. Now, those who speak the language of unity out of one side of their mouths are seeking to divide the country out of the other by talking about “those who are owed” and “those who owe”.

Kleinsman describes the masculine-oriented language used by Francis as “unhelpful”, but does not mention that the same holy book where Francis is getting all his stories from also commands women to shut up and and be quiet (Timothy 2:12 etc.): “…A woman must learn in quietness and full submissiveness. I do not permit a woman to teach or exercise authority over a man; she is to remain quiet. For Adam was formed first…”

On that line of reasoning, when are we getting a female Pope?

These are questions that the religious will never answer. Theirs is not to reason or to honestly inquire; theirs is to lecture, admonish, guilt trip and harangue. In that, they have something very powerful in common with Marxists, which perhaps hints at a possible alliance this century.